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A work made of silk, brocaded plain compound cloth.

Fragment, 18th/19th century

A work made of silk, simple fancy satin.

Fragment, Late 17th century

A work made of silk, plain compound satin.

Fragment, Mid–17th century

A work made of aquatint on paper.

Saint Albans Steeplechase, 1837

Charles Hunt

A work made of aquatint on paper.

Saint Albans Steeplechase, 1837

Reeves

A work made of velvet.

Fragment, 17th century

A work made of cisele voided satin velvet.

Fragment, 1600/25

A work made of cut and uncut velvet.

Fragment, 1600/25

A work made of cisele voided cloth velvet.

Fragment, 1625/50

A work made of yellow satin embroidered with silk and metal thread; satin and couched stitches.

Shoe (Single), 1770s

A work made of brocaded; in rose.

Shoe (Single), 1880s

A work made of satin and uncut velvet appliqued on white silk gauze.

Border, c. 1810

A work made of aquatint on paper.

Saint Albans Steeplechase, 1837

Charles Hunt

A work made of aquatint on paper.

Saint Albans Steeplechase, 1837

Charles Hunt

A work made of color woodblock print; double-page illustration from book.

The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)", 1784

Kitao Masanobu

A work made of pen and ink on paper.

Ariel, n.d.

John Francis Renault

A work made of red velvet embroidered in gold.

Headdress, 19th century

A work made of etching on cream laid paper.

The Chicago Tribune Tower, c. 1933

Philip H. Giddens

Coat

Coat, 1750/1800

A work made of leather and wood.

Clog (Single), 1830/60

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