A work made of etching with foul biting in black ink on cream laid paper.

Eagle Wharf, 1859

James McNeill Whistler

A work made of silk and cotton, warp-float faced 4:1 satin weave with supplementary patterning wefts; apparels: silk, warp-float faced 3:1 broken warp chevron twill weave with supplementary pile warps forming cut solid velvet; appliquéd with warp-float faced 7:1 satin weaves; painted; embroidered with silk, gilt-metal-strip-wrapped silk, and metal wire in split stitches; laid work and couching; edged with braid of silk and gilt-metal-strip-wrapped silk, plain weave with silk, gilt-metal-strip-wrapped silk, plain weave with supplementary patterning wefts and extended weft uncut fringe; with silk and gilt-metal-strip-wrapped silk, square braided, wrapped and knotted cords and silk, gilt-metal-strip-wrapped silk, square braided, wrapped, knotted and fringed tassels worked over cotton core; underlined with linen and sisal, plain weaves; lined with linen, plain weave; glazed.

Dalmatic, 17th century

A work made of medical-grade plastic.

One Laptop per Child XO Laptop, 2007

Yves Béhar

A work made of mezzotint, with traces of engraving, in dark brown on ivory laid paper.

Miss Kitty Dressing, 1781

Thomas Watson

A work made of etching with drypoint in black ink on off-white laid paper.

The Steamboat, Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching with foul biting in black ink on ivory laid paper.

High Street, Brussels, 1887

James McNeill Whistler

A work made of watercolor, with pen and black ink, over graphite on cream wove paper.

Composition #45, 1933

Paul Kelpe

A work made of etching in black on cream laid paper.

The White Kimono, 1915

Childe Hassam

A work made of linen, plain weave; underlaid with linen, plain weave; embroidered with silk and gilt- and silvered-metal-strip-wrapped silk in satin and split stitches; laid work, couching and padded couching.

Orphrey Band, c. 1390

A work made of etching with foul biting in black ink on ivory laid paper.

The Wine Glass, 1858

James McNeill Whistler

A work made of graphite on white wove paper.

Untitled, 1988

Tom of Finland

A work made of etching with hand-coloring on amscan paper doily.

O, 1999

Peregrine Honig

A work made of pen and black ink, with charcoal, watercolor, and pastel, with touches of crayon on cream wove paper.

Seated Nude, 1926

Jules Pascin

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Lime-Burner, 1859

James McNeill Whistler

A work made of pen and brush and black ink, pen and blue ink, and brush and gray and blue wash, with touches of pen and red ink, on cream wove paper.

Figures in a Landscape, 1935

Pavel Tchelitchew

A work made of graphite on bluish-gray laid paper, with blue and red fibrous inclusions.

Study (Portrait of Mrs. Darrow), c. 1911

Manierre Dawson

A work made of silk, warp-float faced 4:1 satin weave with supplementary pile warps forming cut voided velvet; orphrey: silk, plain weave with supplementary patterning warps; edged with gilt-metal strip and gilt-metal-strip-wrapped linen, plain weaves self-patterned by main warp floats.

Chasuble, 1475/1500

A work made of pen and black ink on cream wove paper.

Three Sketches for a Composition, 1933/34

Le Corbusier (Charles-Édouard Jeanneret)