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A work made of silk, warp-float faced satin weave self-patterned by areas of main warp and ground weft floats, and supplementary pile warps forming cut, voided velvet.

Border, Empire period, 1804/14

A work made of silk and cotton, plain weave; tied and free double cloth.

Panel, 16th/17th century

A work made of cotton and wool, plain weave; tied and free double cloth ("beiderwand").

Panel in the Style of "Beiderwand", 1875/1925

A work made of silk, plain weave with supplementary brocading wefts.

"The Present Time", After 1879

Thomas Stevens

A work made of cotton and gold gilt strip wound around a linen fiber core, warp-faced plain weave with extended weft loop fringe; tassels attached: gold gilt coiled wire and wood forms wrapped with gold gilt strips wrapped around a linen core and cardboard forms covered with gold gilt strips and gild gilt wires.

Fringe with Tassels, 1710/74

A work made of cotton and wool, plain weave self-patterned by areas of main warp and ground weft floats.

Swazi Drapery (Furnishing Fabric), 1962

Larsen Design Studio

A work made of cotton and wool, double interlocking tapestry weave.

Squares, 1900/84

A work made of cotton, stripes of plain weave and plain weave derived float weave.

Fragment, 1250-1532

Chimú

A work made of cotton and wool, plain weave with supplementary patterning wefts (overshot); lining: cotton, plain weave with warp stripes and weft bands.

Fragment (American Coverlet Design), 1875/1984

A work made of silk and gold gilt strip wound around a silk fiber core, plain weave with supplementary patterning warps and extended ground weft cut fringe, grouped and wrapped with gold gilt strips wound around a silk fiber core; additional fringes wrapped.

Fringe, 17th/18th century

A work made of linen, warp ikat dyed; plain weave.

Black & White I, 1980

Han-Lien Wu

A work made of silk, plain weave with supplementary brocading wefts with knotted tassel.

Commemorative Ribbon "Glory to God in the Highest", 19th century

Thomas Stevens

A work made of cotton, plain weave; screen printed.

Door to Door (Furnishing Fabric), Late 1940s/50s

Ruth Adler Schnee

A work made of linen, plain weave; screen printed.

Construction (Furnishing Fabric), c. 1950

Ruth Adler Schnee

A work made of four panels: linen, rayon and saran, stripes of plain weave and bands of plain weave with supplementary brocading wefts and supplementary discontinuous pile wefts forming cut and uncut pile.

Incline, 1979

Anne Wilson

A work made of cotton, plain weave; double cloth.

Fragment (From Tablecloth), 1903/18

Koloman (Kolo) Moser

A work made of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and self-patterned by areas of weft-float faced 3:1 twill interlacings.

Panel (Furnishing Fabric), 1760s

Style of Jean Baptiste Pillement

A work made of silk, plain weave with supplementary brocading wefts.

"The Good Old Days" (Royal Mail Coach)", After 1879

Thomas Stevens

A work made of linen, silk and gilt-animal-substrate-wrapped linen, bands of weft-float faced 1:2 twill weave with inner warps and bands of weft-float faced 1:2 complementary twill weave.

Portion of an Orphrey Band with Coat-of-Arms, 15th century

A work made of cotton and acrylic; plain weve with supplementary brocading wefts; plied warp and knotted fringe.

Man's Headcloth (Tzute), 1900/84

Maya

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