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Untitled

Untitled, c. 1972

Sarah Anne Canright

A work made of lithograph on cream chine, laid down on ivory wove paper (chine collé).

An Unhappy Family, published March 10, 1822

Pierre Paul Prud'hon

A work made of paper mache, plaster, and wood.

Untitled, 1988

John Miller

A work made of urethane foam and cord.

Untitled, 1966

John Angus Chamberlain

A work made of linen, leather, animal hide, woven cotton, copper, steel cable, paint, and pencil on polyvinyl chloride (pvc) tube.

Linen on Polyvinyl Chloride, 1993

Jimmie Durham

A work made of album of 25 leaves; ink and light color on paper.

Calligraphy Accompanying Xugu's Painting, Qing dynasty (1644–1911), 1897

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)Suggested Amendments to album title by Jacqueline Chao, 2013:Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006), Qing dynasty (1644–1911), 1896

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Calligraphy Accompanying Xugu's Painting, Qing dynasty (1644–1911), 1897

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Album of Landscapes and Calligraphy for Liu Songfu, Qing dynasty (1644–1911), 1895/96

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Calligraphy Accompanying Xugu's Painting, Qing dynasty (1644–1911), 1897

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Album of Landscapes and Calligraphy for Liu Songfu, Qing dynasty (1644–1911), 1895/96

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Calligraphy Accompanying Xugu's Painting, Qing dynasty (1644–1911), 1897

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Album of Landscapes and Calligraphy for Liu Songfu, Qing dynasty (1644–1911), 1895/96

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Calligraphy Accompanying Xugu's Painting, Qing dynasty (1644–1911), 1897

Xugu

A work made of album leaves; ink and color on paper.

Album of Landscapes and Calligraphy for Liu Songfu, Qing dynasty (1644–1911), 1895/96

Xugu

A work made of bronze, dark brown patina.

The Reaper, c. 1895

Constantin Emile Meunier

A work made of bronze.

Woman with Crab, c. 1905

Aristide Joseph-Bonaventure Maillol

A work made of oil on masonite with cork and metal sculpture.

Prelude to a Synthesis, 1959

Victor Brauner

A work made of bronze.

Horse and Rider, c. 1947

Marino Marini

A work made of oil on canvas.

Texturology LX (Vacation in the Sun), October 1958

Jean Dubuffet

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