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A work made of etching from a portion of the plate on ivory laid chine.

Peasants Going to Work, 1863

Jean François Millet

A work made of blown glass.

Pan, c. 1825

Mantua Glass Works

A work made of blown glass.

Pan, c. 1825

Mantua Glass Works

A work made of oil on canvas.

Portrait of Sylvette David, 1954

Pablo Picasso

A work made of cotton, plain weave; block printed.

Compton, Design 1896, made 1917–25

John Henry Dearle

A work made of acrylic and oil on canvas.

It's a New Age, 1992

Sue Williams

A work made of lithograph on cream wove paper.

Artists Judging Works of Art, 1916

George Wesley Bellows

Inside the form of a letter D are seven men in red and blue robes, one with a triangular hat, at a long table covered in white cloth.

Bishop at Mass in a Historiated Initial "P" from a Choirbook, c. 1300

Master Honoré

A work made of gelatin silver print.

Ben James Going to Work, Caerau, Wales, 1951

Robert Frank

A work made of acrylic and silkscreen ink on linen.

Four Mona Lisas, 1978

Andy Warhol

A work made of pressed glass.

Cup plate, 1830–35

Fort Pitt Glass Works

An off-white spiral shell, subtly shaded in pink, gray, and yellow, dominates the image, filling most of it. A red mountain rises in the background.

White Shell with Red, 1938

Georgia O'Keeffe

Painting of a back view of various people assembled at water's edge watching boats sail across blue water.

Yacht Race, c. 1896–97

Maurice Brazil Prendergast

A work made of etching and drypoint on ivory wove parchment paper.

Peasants Going to Work, 1863

Jean François Millet

A work made of color video, sound (projection); 9:36 min. loop edition number three of five.

Touch, 2002

Janine Antoni

A work made of mezzotint.

Crevice—Work #2, 1987

Hamanishi Katsunori

A work made of black crayon on gray laid paper, with blue fibers (discolored to buff with tan and blue fibers).

Study: Nude Woman Seen from the Back (recto) Sketches of Peasants Working (verso), c. 1846

Jean François Millet

A work made of lithograph in black on white wove paper.

Landscape painters at work, plate 309 from Souvenirs d’artistes, 1862

Honoré-Victorin Daumier

Watercolor of a pile of red apples to the right of a short, green glass, all atop a crumpled white backdrop suggesting cloth.

Still Life: Apples and Green Glass, 1925

Charles Demuth

A work made of mezzotint.

Division—Work #26, 1991

Hamanishi Katsunori

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