Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of acrylic and silkscreen ink on linen.

Four Mona Lisas, 1978

Andy Warhol

A work made of mezzotint.

Crevice-Work #6, 1988

Hamanishi Katsunori

A work made of wood engraving on paper.

Spring Farm Work—Grafting, published April 30, 1870

Winslow Homer

A work made of cotton, plain weave; block printed.

Compton, Design 1896, made 1917–25

John Henry Dearle

Bright-yellow houses and a high bridge with arched supports tower over a colorful band of revelers including a tall figure in green pants and a pointed hat playing an extremely long horn instrument.

Carnival in Arcueil, 1911

Lyonel Feininger

An off-white spiral shell, subtly shaded in pink, gray, and yellow, dominates the image, filling most of it. A red mountain rises in the background.

White Shell with Red, 1938

Georgia O'Keeffe

A work made of pressed glass.

Cup plate, 1830–35

Fort Pitt Glass Works

Painting of a back view of various people assembled at water's edge watching boats sail across blue water.

Yacht Race, c. 1896–97

Maurice Brazil Prendergast

A work made of oil on canvas.

Portrait of Sylvette David, 1954

Pablo Picasso

A work made of color video, sound (projection); 9:36 min. loop edition number three of five.

Touch, 2002

Janine Antoni

Opposition—Work #9

Opposition—Work #9, 1983

Hamanishi Katsunori

A work made of etching from a portion of the plate on ivory laid chine.

Peasants Going to Work, 1863

Jean François Millet

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

Watercolor of a pile of red apples to the right of a short, green glass, all atop a crumpled white backdrop suggesting cloth.

Still Life: Apples and Green Glass, 1925

Charles Demuth

A work made of lithograph on cream wove paper.

Artists Judging Works of Art, 1916

George Wesley Bellows

A work made of gelatin silver print.

Ben James Going to Work, Caerau, Wales, 1951

Robert Frank

A work made of cotton, twill weave with supplementary pile wefts forming cut solid "velveteen"; block printed.

Cherwell, Design 1887, made 1887–1917

John Henry Dearle

Sketch of a female adult with shoulder-length hair holding her left hand up to her right cheek, eyes closed.

Head of Young Woman, Resting on Hand, 1928

John Bradley Storrs

A work made of cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed.

Florence, Design c. 1890, made 1890–1917

John Henry Dearle

A work made of watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.

The Water Fan, 1898/99

Winslow Homer

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