Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of cotton, warp-float faced 3:1 satin weave; stenciled; embroidered with silk in satin stitches.

Partially Worked Panel Intended as a Pillow, 1910/15

Richardson Silk Company

A work made of mezzotint.

Game—Work #6, 1983

Hamanishi Katsunori

A work made of linen, plain weave; pulled thread work embroidered with silk back, running and two-sided italian cross stitches; edged with darning stitch.

Two Border Fragments, Late 16th/early 17th century

A work made of aluminum.

Miss Expanding Universe, 1932

Isamu Noguchi

A work made of acrylic and silkscreen ink on linen.

Pat Hearn, 1985

Andy Warhol

A work made of graphite on buff wove paper.

City of Drawers, 1936

Salvador Dalí

A work made of oil on canvas.

Longueil, Normandie, October 1909

Lyonel Feininger

A still photograph of a video. In this scene, a woman wearing a red top and a brown skirt floats between trees in a forest. She appears to be flying.

Talo/The House, 2002

Eija-Liisa Ahtila

A work made of hand-colored woodblock print; o-oban, tan-e.

Flower Viewing, 1711 (reprint of 17th century work)

Hishikawa Moronobu

A work made of red velvet with design in applique and couched gold cord.

Orphrey, 16th century

A work made of etching.

Working in May, 1980

Tanaka Ryohei

Black-and-white photograph of an elevated train station straddling a crowded city street on which vehicles are either parked or blurred by motion.

"El", Sixth Avenue Line, Twenty-Eighth Street Station, Manhattan, November 10, 1938

Berenice Abbott

A work made of ink and colored ink on linen.

Stonehill Building, Chicago, Illinois, West Elevation, c.1917

Robert Work

A work made of gilt copper worked in repoussé with pigments.

Head of Bhairava, A Horrific Form of God Shiva, Malla period, 16th/17th century

Works by Friedrich Schiller

Works by Friedrich Schiller, 1834–37

Moritz Retzsch

This collage creates the illusion of both a woman's face and a home interior. Blond hair doubles as curtains in an entryway, while her eyes become framed artwork on the wall. The wall, or the top half of the face, is bright red, and doubles as a face mask.

Mae West's Face which May be Used as a Surrealist Apartment, 1934–35

Salvador Dalí

A work made of super 8 black-and-white and color film, silent, transferred to 16mm film; 10:50 min.
edition number seven of ten.

Splitting, 1974

Gordon Matta-Clark

Roughly painted face of a woman with a thick neck, short black hair, prominent nostrils, and a strung necklace.

Head of a Woman with a Blue Necklace, 1932

Paul Kleinschmidt

A work made of leather binding; covers of velvet, embroidered with chenille and metal thread.

Notebook, 19th century

A work made of etching and drypoint on ivory laid paper.

Peasants Going to Work, 1863

Jean François Millet

<<<10111213 >>>