Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite, with smudging and touches of white heightening, on tan wove paper, mounted to wood pulp laminate board.

Angel in the Morning, c. 1968

Murry DePillars

A work made of oil on panel.

The Crucifixion, 1494

Austrian

A work made of graphite, watercolor, and gouache on tan wove paper.

Woman in an Armchair, 1918

Pablo Picasso

A work made of color woodblock print; oban triptych.

Women Admiring Peonies, c. 1789/1801

Katsukawa Shunchô

A work made of wood, fabric, and pigment.

Face Mask (Agbogho Mmuo), Early/mid–20th century

Igbo

Painting of a light-skinned woman dressed in a gauzy white gown with black trim playing an upright paino.

Woman at the Piano, 1875–76

Pierre-Auguste Renoir

A work made of oil on canvas.

Wounded Eurydice, 1868–70

Jean Baptiste Camille Corot

A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.

Moulin de la Galette, 1889

Henri de Toulouse-Lautrec

A work made of oil on canvas.

Portrait of Mme. Lina Cavalieri, 1901

Giovanni Boldini

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting, spatter and traces of scraping, over graphite, on moderately thick, slightly textured, ivory wove paper.

The Outlook, Maine Coast, 1894

Winslow Homer

A work made of lithograph in black on light gray chine.

Bathing Women, second medium plate, 1899

Henri Fantin-Latour

A work made of oil on canvas.

Christ Receiving the Children, c. 1655

Sébastien Bourdon

A work made of oil on panel.

The Crucifixion, 1538

Lucas Cranach the Elder

A work made of color woodblock print; oban.

Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99

Kitagawa Utamaro

A work made of color offset lithograph on white wove paper.

Do Women Have to be Naked to Get into the Met. Museum?, 1989

Guerrilla Girls

An older black woman in white bonnet, wire glasses, long dress, and shawl sits holding yarn. She looks at the camera thoughtfully, one hand raised, with her elbow resting on a small table. Beneath her is the caption "I sell the shadow to support the substance. Sojourner Truth."

Untitled ("I Sell the Shadow to Support the Substance"), 1864-65

Sojourner Truth

A work made of oil on canvas.

The Laundress, 1877–79

Pierre-Auguste Renoir

A work made of chromogenic print.

Untitled (Three Women Looking in the Same Direction), 1980

Richard Prince

A work made of black chalk on blue-gray laid paper, discolored to tan, laid down on cream wove paper.

Group of Women, n.d.

Jean François Millet

A work made of woodcut in green/black on buff wove paper.

Two Women, Bust Length, 1888

Émile Bernard

<<<19202122 >>>