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A work made of oil on canvas.

The Sacred Grove, Beloved of the Arts and the Muses, 1884–89

Pierre Puvis de Chavannes

A work made of drypoint and plate tone on ivory laid paper.

Plate from l'Assommoir (two women fighting, with onlookers), 1878

Gaston La Touche

A work made of oil on canvas.

The Harvesters, 1888–89

Léon Augustin Lhermitte

A work made of color woodblock print; right sheet of oban diptych.

Women Viewing a Snowy Garden from a Parlor, c. 1786

Torii Kiyonaga

A work made of oil on canvas.

The Entombment, 1656

Guercino

A work made of oil on canvas.

Apollo Granting Phaeton Permission to Drive the Chariot of the Sun, c. 1695

Johann Michael Rottmayr

A work made of cotton, 's' twill weave; block printed; edge bound with applied cotton edging.

Gossips (Furnishing Fabric), c. 1940s

Virginia Lee Burton

A work made of oil on canvas.

Diana and Endymion, c. 1695

Johann Michael Rottmayr

A work made of lithograph in black on cream japanese paper.

Bathing Women, medium plate, 1896

Henri Fantin-Latour

A work made of oil on canvas, mounted on pressboard.

Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887

Vincent van Gogh

A work made of oil on panel.

The Abduction of Europa, 1654–56

David Teniers the Younger

A work made of oil on canvas.

The Crystal Palace, 1871

Camille Pissarro

A work made of oil on canvas.

Easter Mystery (Mystère de Pâques), 1891

Maurice Denis

A work made of etching in dark brown on ivory laid paper.

Women Tossing the Hay, 1890, printed 1906

Camille Pissarro

A work made of gum bichromate print.

Women in Formal Wedding Dress, c. 1895–1905

Gertrude Käsebier

A work made of oil on millboard, mounted on canvas.

View on the Grounds of a Villa near Florence, 1826

Richard Parkes Bonington

A work made of oil on canvas.

The Boathouse, c. 1885

Luigi Loir

A work made of zincograph in black on chrome yellow wove paper.

Old Women of Arles, from the Volpini Suite, 1889

Paul Gauguin

A light-skinned woman, the bodice of her mauve dress pulled down, lounges against a rock, her arm extended on it. A child, mostly nude, stands in front of her looking downward while two men in her party, largely in shadow, lean toward each other as if in conversation.

Pastoral Scene, 1740

Giovanni Battista Piazzetta

A work made of aquatint and drypoint from a zinc plate on ivory laid paper.

Two Women, 1902

Théophile-Alexandre Pierre Steinlen

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