Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print (2).

Illustration of the Principles of The Uplift Bra "-in compliance with and/or defiance of women's lib and the exploitation of the female form as object," Fullerton, CA, 1960/85

Robert Cumming

A work made of chromogenic print, from the portfolio "groups in america".

Women's Intramural Softball Team of Warner Communications, Inc. New York, N.Y., 1979

Neal Slavin

A work made of color woodblock print; double-page illustration cut from a book.

Courtesans of the Yadaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1, 1776

Katsukawa Shunsho

Black-and-white photograph of identical light-skinned, dark-haired girls. They stand shoulder-to-shoulder facing the viewer, wearing identical black dresses with white collars, white tights, and white headbands. The girl on the right smiles with closed lips, while the other does not.

Identical Twins, Roselle, N.J., 1966

Diane Arbus

A work made of oil on panel.

The Show (La Parade), 1784/87

Nicolas Antoine Taunay

A work made of gelatin silver print.

Saviours' Day Prayer, 1966

Robert Sengstacke

A work made of tempera and oil on panel.

Saint Monica from an Augustinian altarpiece, 1450/75

Venetian

A work made of gelatin silver print.

Untitled, c. 1963

Robert Earl Wilson

A work made of steel etching in black on cream india paper, laid down on off-white card (chine collé).

"The Rights of Women" or the Effects of Female Enfranchisement from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853, 1853, printed c. 1880

George Cruikshank

A work made of silk, satin weave; embroidered with linen, silk, silk-wrapped-metal purl, and gilt-metal purl in bullion, raised and detached, knotted and twisted buttonhole, crossed, raised stem filling and satin stitches; couching, laid work, buttonhole picots, french knots, and embroidered pile; seed pearls and mica.

Needlework (Depicting the Four Seasons), c. 1660

A chaotic but happy kitchen scene: A light-skinned woman in a pink dress at left bends to take a turkey out of the oven, while another at right forms a pie near a small girl playing with a kitten. Behind them, a woman selects dishware as yet another carries a basket of ingredients. A fifth woman in the back puts on a fancy hat and coat near a pair of babies reaching out from their twin high chair.

Thanksgiving, c. 1935

Doris Lee

A work made of gelatin silver print.

Opening Reception for Jan Spiney Gilchrist Exhibition at the Nicole Gallery, September 11, 1987

Kerry Coppin

A work made of color woodblock print; oban.

Cloth-Strecher, from the series "Twelve Types of Women's Handicraft (Fujin tewaza juni ko)", c. 1798/99

Kitagawa Utamaro

A work made of gelatin silver print.

Two Women at Convent Avenue Baptist Church, from the series "Harlem, U.S.A.", 1977, printed 2010

Dawoud Bey

A work made of oil on canvas.

The Presentation in the Temple, Date unknown

Stefano Pozzi

Walking Beauty

Walking Beauty, Early/mid–18th century

Miyagawa Chôshun

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

Untitled (Girl with Ringlets Looking Down Smiling), c. 1975

Garry Winogrand

A work made of oil on canvas.

Peasant Family at a Well, 1650/60

The Master of the Children's Caps

A work made of color woodblock print; surimono.

Frontispiece to the illustrated album "Thirty-six Immortal Women Poets" ("Nishikizuri onna sanjurokkasen"), 1801

Katsushika Hokusai

A work made of etching in brown on cream wove paper.

Old Women, Bruges, 1906

Frank Brangwyn

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