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A work made of pen and brown ink, with brush and blue wash, heightened with lead white (discolored), on blue laid paper.

The Virgin, the Holy Women, and Saints John, James and Joseph of Arimathea, with Christ on the Way to Calvary, n.d.

Antonio Carracci

A work made of paper.

The Gentlewoman, Issue 1, Spring and Summer, 2010

Gert Jonkers and Jop Van Bennekom

A work made of color woodblock print; chuban.

Funya no Yasuhide, Two Women in a Gusty Autumn Landscape, from the series "Rokkasen (The Six Immortal Poets)", c. 1771

Katsukawa Shunsho

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

Untitled (Woman in Floral Dress Talking to Man on Street Corner), c. 1975

Garry Winogrand

A work made of 148 gelatin silver prints and text panel.

CARVING: A Traditional Sculpture, 1972

Eleanor Antin

Abstract painting of several various-colored and overlapping rings and circles, looser brushstrokes drape across the circles like winding thread.

Untitled, 1964

Tanaka Atsuko

A work made of black chalk, heightened with white chalk, with stumping, on tan wove paper.

View of the Park at Versailles: Women Bathing Beneath a Bridge, n.d

Pierre Antoine Mongin

A work made of gelatin silver print (2).

Illustration of the Principles of The Uplift Bra "-in compliance with and/or defiance of women's lib and the exploitation of the female form as object," Fullerton, CA, 1960/85

Robert Cumming

A work made of chromogenic print, from the portfolio "groups in america".

Women's Intramural Softball Team of Warner Communications, Inc. New York, N.Y., 1979

Neal Slavin

A work made of pen and brown ink, with brush and brown wash, with touches of thin white gouache, on tan laid paper.

Woman Kneeling Before a Ruler, 1566–67

Federico Zuccaro

A work made of color woodblock print; double-page illustration cut from a book.

Courtesans of the Yadaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1, 1776

Katsukawa Shunsho

Black-and-white photograph of identical light-skinned, dark-haired girls. They stand shoulder-to-shoulder facing the viewer, wearing identical black dresses with white collars, white tights, and white headbands. The girl on the right smiles with closed lips, while the other does not.

Identical Twins, Roselle, N.J., 1966

Diane Arbus

A work made of oil on panel.

The Show (La Parade), 1784–87

Nicolas Antoine Taunay

A work made of steel etching in black on cream india paper, laid down on off-white card (chine collé).

"The Rights of Women" or the Effects of Female Enfranchisement from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853, 1853, printed c. 1880

George Cruikshank

A work made of gelatin silver print.

Saviours' Day Prayer, 1966

Robert Sengstacke

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Monica, 1450–75

Italian

A chaotic but happy kitchen scene: A light-skinned woman in a pink dress at left bends to take a turkey out of the oven, while another at right forms a pie near a small girl playing with a kitten. Behind them, a woman selects dishware as yet another carries a basket of ingredients. A fifth woman in the back puts on a fancy hat and coat near a pair of babies reaching out from their twin high chair.

Thanksgiving, c. 1935

Doris Lee

A work made of gelatin silver print.

Untitled, c. 1963

Robert Earl Wilson

A work made of color woodblock print; oban.

Cloth-Strecher, from the series "Twelve Types of Women's Handicraft (Fujin tewaza juni ko)", c. 1798/99

Kitagawa Utamaro

A work made of silk, satin weave; embroidered with linen, silk, silk-wrapped-metal purl, and gilt-metal purl in bullion, raised and detached, knotted and twisted buttonhole, crossed, raised stem filling and satin stitches; couching, laid work, buttonhole picots, french knots, and embroidered pile; seed pearls and mica.

Needlework (Depicting the Four Seasons), c. 1660

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