Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on panel.

The Princesses, c. 1870

Adolphe Joseph Thomas Monticelli

Rectangular painting of white, framed by a thin, yellow outline and a thicker, black outline.

Brilliant Yellow #9, 1964/65

Jo Baer

A work made of gelatin silver print.

A Woman who is Crossing her Fingers, from the series "Women who saved Okinawa", 1970

Kenshichi Heshiki

A work made of color woodblock print; oban.

No. 4 (shi), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", c. 1798/1800

Kitagawa Utamaro

A work made of color woodblock print; oban.

No. 5 (go), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", c. 1798/1800

Kitagawa Utamaro

Miniature dining room with mint-green walls and two large windows on the back wall, between which hangs a portrait of a Revolutionary-era man flanked by two vases. A formal wooden table with two chairs sits in the room's center, a fireplace with a mirror on the mantle and two tall stools at left.

A10: Massachusetts Dining Room, 1795, c. 1940

Narcissa Niblack Thorne

A work made of color woodblock print; oban.

Kneeling actor and standing beauty holding a tray of clothes, from the series "Fuji in Summer Matched with Beautiful Women (Natsu no Fuji bijin awase)", 1801

Utagawa Toyokuni I

Pink and red wax sculpture of a naked person lying on their side in a fetal position.

Blood Pool, 1992

Kiki Smith

A work made of color woodblock print; oban.

Painful (Itaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)", 1888

Tsukioka Yoshitoshi

Profile view of a bronze sculpture with green patina of a nude woman with her right hand raised to eye level. She wears a tiara, her hair in a bun.

Statuette of Venus, About 2nd century

Ancient Roman

A work made of acrylic yarn, wool yarn, cotton ribbons.

Flying Triangles Rug, 1982

Elizabeth Browning Jackson

A grouping of 18 photographic reproductions of self-portraits by artist Egon Schiele, some in color, some using only black ink.

After Egon Schiele, 1982

Sherrie Levine

An abstracted work made of irregular pieces of stretched canvas bonded together, creating a funnel shape that protrudes out to form a dark hole.

Untitled, 1960

Lee Bontecou

Bernese Women

Bernese Women, n.d.

A work made of chromogenic print.

Concerned Women, 1995

Jay Wolke

A work made of color woodblock print; oban.

No. 3 (san), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", c. 1798/1800

Kitagawa Utamaro

A work made of color woodblock print; oban.

No. 8 (hachi), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", c. 1798/1800

Kitagawa Utamaro

A work made of chromogenic print.

Untitled, 2009, printed 2017

Mikiko Hara

To-scale great room with a double-height ceiling. The bottom half of each wall is clad in elaborately carved wooden panels. The right wall features a tall bay window, the left a fireplace flanked by suits of armor. A long, rustic table with bench is centered in the room.

E-1: English Great Room of the Late Tudor Period, 1550-1603, c. 1937

Narcissa Niblack Thorne

A large and vibrantly colored abstract painting. The abstract shapes in muted orange, purple, green, and blue suggest a cityscape amongst mountains and trees.

Growing City, 1956

Eleanor Coen

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