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A work made of silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch.

Panel, Louis XVI period, 1750/75

Philippe de La Salle

A work made of chromogenic print.

Untitled (Three Women Looking in the Same Direction), 1980

Richard Prince

A work made of wood, fabric, and pigment.

Face Mask (Agbogho Mmuo), Early/mid–20th century

Igbo

A work made of color lithograph on ivory wove paper.

Come Sunday, from 1776 USA 1976: Bicentennial Prints, 1975

Romare Howard Bearden

A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.

Moulin de la Galette, 1889

Henri de Toulouse-Lautrec

A work made of graphite, watercolor, and gouache on tan wove paper.

Woman in an Armchair, 1918

Pablo Picasso

A work made of oil on canvas.

Portrait of Mme. Lina Cavalieri, 1901

Giovanni Boldini

A work made of graphite, with smudging and touches of white heightening, on tan wove paper, mounted to wood pulp laminate board.

Angel in the Morning, c. 1968

Murry DePillars

A work made of oil on panel.

The Crucifixion, 1538

Lucas Cranach the Elder

A work made of oil on canvas.

Christ Receiving the Children, c. 1655

Sébastien Bourdon

A work made of color woodblock print.

Long Undergarment (Nagajuban), 1929

Torii Kotondo

A work made of woodcut in green/black on buff wove paper.

Two Women, Bust Length, 1888

Émile Bernard

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting, spatter and traces of scraping, over graphite, on moderately thick, slightly textured, ivory wove paper.

The Outlook, Maine Coast, 1894

Winslow Homer

A work made of black chalk on blue-gray laid paper, discolored to tan, laid down on cream wove paper.

Group of Women, n.d.

Jean François Millet

A work made of oil on canvas.

The Laundress, 1877–79

Pierre-Auguste Renoir

An older black woman in white bonnet, wire glasses, long dress, and shawl sits holding yarn. She looks at the camera thoughtfully, one hand raised, with her elbow resting on a small table. Beneath her is the caption "I sell the shadow to support the substance. Sojourner Truth."

Untitled ("I Sell the Shadow to Support the Substance"), 1864-65

Sojourner Truth

A work made of limestone and pigment.

Stela of Amenemhat and Yatu, Middle Kingdom, late Dynasty 12–early Dynasty 13, about 1870–1770 BCE

Ancient Egyptian

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.

Yellow Dancers (In the Wings), 1874–76

Hilaire Germain Edgar Degas

A work made of oil on canvas.

View of Pirna with the Fortress of Sonnenstein, c. 1760

Bernardo Bellotto

A work made of watercolor, with touches of gouache, over traces of graphite, on cream wove paper, laid down on cream wove paper.

Peasant Women from the Region of the Eaux-Bonnes, 1845

Eugène Delacroix

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