Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of woodcut in green/black on buff wove paper.

Two Women, Bust Length, 1888

Émile Bernard

Painting of a light-skinned woman dressed in a gauzy white gown with black trim playing an upright paino.

Woman at the Piano, 1875–76

Pierre-Auguste Renoir

A work made of graphite, watercolor, and gouache on tan wove paper.

Woman in an Armchair, 1918

Pablo Picasso

A work made of oil on canvas.

Wounded Eurydice, 1868–70

Jean Baptiste Camille Corot

A work made of wood, fabric, and pigment.

Face Mask (Agbogho Mmuo), Early/mid–20th century

Igbo

A work made of color woodblock print.

Long Undergarment (Nagajuban), 1929

Torii Kotondo

A work made of graphite, with smudging and touches of white heightening, on tan wove paper, mounted to wood pulp laminate board.

Angel in the Morning, c. 1968

Murry DePillars

A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.

Moulin de la Galette, 1889

Henri de Toulouse-Lautrec

A work made of oil on canvas.

Portrait of Mme. Lina Cavalieri, 1901

Giovanni Boldini

A work made of oil on panel.

The Crucifixion, 1538

Lucas Cranach the Elder

A work made of oil on canvas.

Christ Receiving the Children, c. 1655

Sébastien Bourdon

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting, spatter and traces of scraping, over graphite, on moderately thick, slightly textured, ivory wove paper.

The Outlook, Maine Coast, 1894

Winslow Homer

A work made of oil on canvas.

The Laundress, 1877–79

Pierre-Auguste Renoir

An older black woman in white bonnet, wire glasses, long dress, and shawl sits holding yarn. She looks at the camera thoughtfully, one hand raised, with her elbow resting on a small table. Beneath her is the caption "I sell the shadow to support the substance. Sojourner Truth."

Untitled ("I Sell the Shadow to Support the Substance"), 1864-65

Sojourner Truth

A work made of soft ground etching with foul biting in dark brown on cream laid paper.

Two Women Drying Themselves, 1896

Suzanne Valadon

A work made of limestone and pigment.

Stela of Amenemhat and Yatu, Middle Kingdom, late Dynasty 12–early Dynasty 13, about 1870–1770 BCE

Ancient Egyptian

A work made of pastel and pen and black ink on cream laid paper.

Three Women, Enghien, 1926

Pedro Pruna

A work made of etching on ivory china paper, laid down on white wove paper.

Women Bathing, 1867

Paul Huet

A work made of watercolor, with touches of gouache, over traces of graphite, on cream wove paper, laid down on cream wove paper.

Peasant Women from the Region of the Eaux-Bonnes, 1845

Eugène Delacroix

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.

Yellow Dancers (In the Wings), 1874–76

Hilaire Germain Edgar Degas

<<<20212223 >>>