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A work made of graphite, with smudging and touches of white heightening, on tan wove paper, mounted to wood pulp laminate board.

Angel in the Morning, c. 1968

Murry DePillars

A work made of lithograph in black on light gray chine.

Bathing Women, second medium plate, 1899

Henri Fantin-Latour

A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.

Moulin de la Galette, 1889

Henri de Toulouse-Lautrec

A work made of color woodblock print; oban.

Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99

Kitagawa Utamaro

A work made of oil on canvas.

Portrait of Mme. Lina Cavalieri, 1901

Giovanni Boldini

A work made of oil on panel.

The Crucifixion, 1538

Lucas Cranach the Elder

A work made of oil on canvas.

Christ Receiving the Children, c. 1655

Sébastien Bourdon

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting, spatter and traces of scraping, over graphite, on moderately thick, slightly textured, ivory wove paper.

The Outlook, Maine Coast, 1894

Winslow Homer

A work made of color offset lithograph on white wove paper.

Do Women Have to be Naked to Get into the Met. Museum?, 1989

Guerrilla Girls

A work made of chromogenic print.

Untitled (Three Women Looking in the Same Direction), 1980

Richard Prince

A work made of black chalk on blue-gray laid paper, discolored to tan, laid down on cream wove paper.

Group of Women, n.d.

Jean François Millet

A work made of woodcut in green/black on buff wove paper.

Two Women, Bust Length, 1888

Émile Bernard

An older black woman in white bonnet, wire glasses, long dress, and shawl sits holding yarn. She looks at the camera thoughtfully, one hand raised, with her elbow resting on a small table. Beneath her is the caption "I sell the shadow to support the substance. Sojourner Truth."

Untitled ("I Sell the Shadow to Support the Substance"), 1864-65

Sojourner Truth

A work made of oil on canvas.

The Laundress, 1877–79

Pierre-Auguste Renoir

A work made of limestone and pigment.

Stela of Amenemhat and Yatu, Middle Kingdom, late Dynasty 12–early Dynasty 13, about 1870–1770 BCE

Ancient Egyptian

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.

Yellow Dancers (In the Wings), 1874–76

Hilaire Germain Edgar Degas

A work made of oil on canvas.

View of Pirna with the Fortress of Sonnenstein, c. 1760

Bernardo Bellotto

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884

Georges Seurat

Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.

Equestrienne (At the Cirque Fernando), 1887–88

Henri de Toulouse-Lautrec

A work made of soft ground etching with foul biting in dark brown on cream laid paper.

Two Women Drying Themselves, 1896

Suzanne Valadon

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