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  • Art Institute Chicago
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A work made of paper.

Pig 05049, 2007

Christien Meindertsma

A work made of porcelain painted in overglaze enamels.

Dish with Two Women in a Garden, Ming dynasty (1368–1644)

A work made of oil on canvas.

The Place du Havre, Paris, 1893

Camille Pissarro

A work made of bronze.

Enchained Action, c. 1906

Aristide Joseph-Bonaventure Maillol

A work made of transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, slightly textured, cream wove paper (all edges trimmed).

The Watcher, Tynemouth, 1882

Winslow Homer

Painting of woman in a striped dress seated on the bank of a river, beneath a full, leafy tree, a boat at the shore and a village visible across the river.

On the Bank of the Seine, Bennecourt, 1868

Claude Monet

A work made of oil on canvas.

Lunch at the Restaurant Fournaise (The Rowers' Lunch), 1875

Pierre-Auguste Renoir

A work made of bronze.

The Tub, Modeled 1889, cast 1919–21

Hilaire Germain Edgar Degas

A work made of color woodblock print; oban.

Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99

Kitagawa Utamaro

A work made of wood, pigment, glass beads, cowrie shells, fabric, and thread.

Face Mask (Ngady Mwaash), Late 19th-mid 20th century

Kuba

A work made of oil on panel.

The Temptation of the Magdalene, c. 1616

Jacob Jordaens

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

World's Fair, New York City, 1964

Garry Winogrand

A work made of color offset lithograph on white wove paper.

Do Women Have to be Naked to Get into the Met. Museum?, 1989

Guerrilla Girls

A work made of silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch.

Panel, Louis XVI period, 1750/75

Philippe de La Salle

A work made of color woodblock print; oban triptych.

Women Admiring Peonies, c. 1789/1801

Katsukawa Shunchô

A work made of pen and black ink, with brush and black wash, on ivory tracing paper.

Three Women, n.d.

Karl Hofer

A work made of color lithograph on white wove paper.

Two Women, c. 1946

Rufino Tamayo

A work made of oil on panel.

The Crucifixion, 1494

Austrian

A work made of color lithograph on ivory wove paper.

Come Sunday, from 1776 USA 1976: Bicentennial Prints, 1975

Romare Howard Bearden

Painting of a light-skinned woman dressed in a gauzy white gown with black trim playing an upright paino.

Woman at the Piano, 1875–76

Pierre-Auguste Renoir

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