Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silk, cotton, metallic strip encased in synthetic film, and metal, plain weave.

Sample (Window Blind), 1958

Dorothy Liebes

A work made of gelatin silver print.

Leaving Sleepyeye, Minnesota, Winter 1986

Thomas Frederick Arndt

Mirror of Long Ago

Mirror of Long Ago, 1946, printed later

Clarence John Laughlin

A work made of mixed media installation.

PHANTOM. Mies as Rendered Society, 2012–17

Andres Jaque

A work made of etching in black ink on japanese paper laid down on white wove paper (chine-collé).

Bao Shi Shan Luo Ying 宝石山 落英 3A, 2017

Shanchun Yan

A work made of etching in black ink on japanese paper laid down on white wove paper (chine-collé).

Bao Shi Shan Ban Shan 宝石山 半山 3A, 2017

Shanchun Yan

A work made of transfer lithograph in black on cream laid paper.

At the window ("Open here I flung the shutter..."), from The Raven (Le Corbeau), 1875

Édouard Manet

A work made of gelatin silver print.

Untitled, 1935/68

Bela Kalman

Sears (Willis) Tower, Chicago, Illinois, Elevations and Section

Sears (Willis) Tower, Chicago, Illinois, Elevations and Section, n.d.

Skidmore, Owings & Merrill

Shop Window (Schaufenster)

Shop Window (Schaufenster), 2002

A work made of offset lithograph.

This Is the Enemy, 1942

Karl Koehler

A work made of etching; edition 1/20.

Window (Mado), 1967

Horii Hideo

A work made of gelatin silver print.

Ice window, 1972

Steven Nestler

The Window

The Window, 1936/37

Glyn Warren Philpot

A work made of lithograph on natural nacre paper.

Ensenada Windows, 1962

William Brice

A work made of inkjet print.

Untitled (McDonald's Window), from the series, "The Week of the Perfect Game", 2009

Zoe Strauss

A work made of gelatin silver print.

Untitled, c. 1965-76

Zofia Rydet

A work made of lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper.

A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803

Henry Fuseli

A work made of ink on vellum tracing paper.

Treppenlosen House, Berlin, Window Sections and Details, 1930

Ludwig Karl Hilberseimer

A work made of gelatin silver print.

Lacock Abbey, Window in First Paper Negative by Fox Talbot, Wiltshire, England, 1980

Lucia Woods Lindley

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