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A work made of offset lithograph.

This is Nazi Brutality, 1942

Ben Shahn

Sears (Willis) Tower, Chicago, Illinois, Elevations and Section

Sears (Willis) Tower, Chicago, Illinois, Elevations and Section, n.d.

Skidmore, Owings & Merrill

A work made of painted wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of silk, cotton, metallic strip encased in synthetic film, and metal, plain weave.

Sample (Window Blind), 1958

Dorothy Liebes

A work made of etching in black ink on japanese paper laid down on white wove paper (chine-collé).

Bao Shi Shan Luo Ying 宝石山 落英 3A, 2017

Shanchun Yan

A work made of etching in black ink on japanese paper laid down on white wove paper (chine-collé).

Bao Shi Shan Ban Shan 宝石山 半山 3A, 2017

Shanchun Yan

A work made of gelatin silver print.

Untitled, c. 1965-76

Zofia Rydet

A work made of transfer lithograph in black on cream laid paper.

At the window ("Open here I flung the shutter..."), from The Raven (Le Corbeau), 1875

Édouard Manet

A work made of stencil.

Glory to the Soviet Youth!, August 31, 1945

Mikhail M. Solov'ev

A work made of ink on vellum tracing paper.

Treppenlosen House, Berlin, Window Sections and Details, 1930

Ludwig Karl Hilberseimer

A work made of etching; edition 1/20.

Window (Mado), 1967

Horii Hideo

A work made of gelatin silver print.

Ice window, 1972

Steven Nestler

The Window

The Window, 1936/37

Glyn Warren Philpot

A work made of lithograph on natural nacre paper.

Ensenada Windows, 1962

William Brice

A work made of inkjet print.

Untitled (McDonald's Window), from the series, "The Week of the Perfect Game", 2009

Zoe Strauss

A work made of graphite and pastel on tracing paper.

James and Hortense Becker House, Highland Park, Illinois, Presentation Drawing, 1957

Gertrude Eisendrath Deimel Kuh

A work made of etching on cream laid paper taped at top two corners to backboard of hinged window mat.

Derelicts, n.d.

Earl H. Reed

A work made of lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper.

A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803

Henry Fuseli

A work made of gelatin silver print.

Lacock Abbey, Window in First Paper Negative by Fox Talbot, Wiltshire, England, 1980

Lucia Woods Lindley

A work made of gelatin silver print.

Untitled, from the series "Sociological Record", 1978

Zofia Rydet

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