Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of albumen print, stereo.

Jessie - I'll See if He's Coming, Harold. Santa - I'll See if Those Children Are Asleep, 1899

Keystone View Co.

A work made of albumen print, stereo.

"Oh! Sweetly We'll Rest Our Weary Oars", 1896

Keystone View Co.

A work made of albumen print, stereo.

The Empty Crib. "We're nearer to the other shore since the baby died", 1899

Keystone View Co.

A work made of albumen print, stereo.

Still There's no Place Like Home, 1903

Keystone View Co.

A work made of albumen print, stereo.

"For of such is the Kingdom of Heaven", 1899

Keystone View Co.

A work made of albumen print, stereo.

"Isn't our Stock Looking Fine!", c. 1900

Keystone View Co.

A work made of albumen print, stereo.

"There's no place like Home", c. 1900

Keystone View Co.

A work made of offset lithograph, stereo.

Presents from Santa Claus, Early 20th century

Atlas View Company

A work made of gelatin silver print.

Hotel Nationale, Moscow, 1959, printed 1981

William Klein

A work made of lithograph and collage on brown wove paper.

Inner View, 1965/66

Louise Nevelson

A work made of oil on canvas.

View on the River Roseau, Dominica, 1770–80

Agostino Brunias

A work made of oil on canvas.

Sea View, Calm Weather (Vue de mer, temps calme), 1864

Édouard Manet

A work made of fifteen silver gelatin prints.

Pitheads–Perspective Views, 1981

Bernd and Hilla Becher

A work made of etching in black on gray wove paper, laid down on off-white wove paper (chine collé).

Seated Nude Woman, Three-Quarter View, 1931

Henri Matisse

A work made of oil on canvas.

View of Pirna with the Fortress of Sonnenstein, c. 1760

Bernardo Bellotto

A work made of oil on canvas.

Michigan Avenue with View of the Art Institute, 1984

Richard Estes

A work made of black chalk, heightened with white chalk, on blue laid paper.

Coastal View, 1786/88

Thomas Gainsborough

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

A photocollage of the top of a multistoried building with a cantilevered roof—extending horizontally and supported at only one end—and a patio below, surrounded by trees and water.

McCormick Place: Perspective View Looking toward Lake, c. 1969

C. F. Murphy Associates

A work made of pastel and charcoal on buff wove paper.

Geinrust Farm: Close Frontal View, c. 1905–06

Piet Mondrian

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