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A work made of platinum-palladium print.

Still Life with Shoe, New York, February 1980, printed September 1981

Irving Penn

A work made of pastel on off-white wove paper.

Lower Manhattan-Brooklyn View II, 1976

Yvonne Jacquette

A work made of woodblock print; oban, sumizuri-e.

Flower-Viewing Party with Crest-Bearing Curtain, from the series "Flower Viewing at Ueno (Ueno hanami no tei)", c. 1681/84

Hishikawa Moronobu

A work made of etching on heavy ivory laid paper.

Another interior view of the Villa of Maecenas, Tivoli, from Views of Rome, 1767, published 1800–07

Giovanni Battista Piranesi

A work made of pen and brown ink on paper.

View of The Castello Bracciano, near Rome with Coach and Figures, 1630s

Johann Wilhelm Bauer

A work made of etching on heavy ivory laid paper.

View of St. Peter's Basilica and Piazza in the Vatican, from Views of Rome, 1748

Giovanni Battista Piranesi

A work made of ink on drawing paper.

Double House for Mr. Straus, Perspective View, 1883

Adler & Sullivan, Architects

A work made of oil on canvas.

View on the Seine, Paris, c. 1872

Stanislas Lépine

A work made of engraving on paper.

The Rape of a Sabine Woman, Frontal View, c. 1598

Jan Harmensz. Muller

A work made of platinum-palladium print.

The Poor Lovers, New York, December 19, 1979, printed October 1980

Irving Penn

A work made of etching on paper.

View of the Pont Neuf, 1630–35

Jacques Callot

A work made of etching on ivory laid paper.

London Viewed from the Thames River at Milford Staris Below Arundel House, 1643/44

Wenceslaus Hollar

A work made of etching on heavy ivory laid paper.

View of the Campo Vaccino, from Views of Rome, 1772

Giovanni Battista Piranesi

A work made of dye imbibition print.

After Dinner Games, New York, 1947, printed 1959/60

Irving Penn

A work made of etching on heavy ivory laid paper.

View of the Ponte Salario, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of watercolor on cream laid paper.

View at Étretat, c. 1827

Paul Huet

A work made of watercolor, and pen and blue, red and gray inks, on cream wove paper.

View in the St. Gotthard Pass, Switzerland, 1842

Joseph Mallord William Turner

A work made of color woodblock print; oban.

Oumayagashi, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of transfer lithograph in gray ink with watercolor on cream japanese paper, mounted overall to cream japanese paper.

Nude Model, Back View, 1891

James McNeill Whistler

A work made of albumen print.

First View of the Yosemite Valley from the Mariposa Trail, 1865/66

Carleton Watkins

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