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A work made of lithograph in black, with scraping on stone on white wove paper, with letterpress verso.

A Practical Joke. "Driver! Driver! Do you still have two seats in the rabbit section??,” plate 24 from Les Baigneurs, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“Hello, Angel, always pretty...,” plate 3 from Coquetterie, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

“Oh blast! I don't seem to be able to tie a knot!” plate 4 from Coquetterie, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, together with four pages of text.

Mr. Prune, plate 288 from Célébrités de la Caricature, 1833

Honoré-Victorin Daumier

A work made of lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded).

An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie, published March 27, 1845

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Louis-Philippe, Last King if the French 1848. Design for a medal to be manufactured by the National Mint, 1848

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper.

“Look! See how his eyes are on the saveloys and the ham.... it seems we like Papa's job?..... my little piglet!,” plate 51 from Moeurs Conjugales, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

A country excursion during the beautiful month of May. “– Courage... Adelaïde it's just another league to go,” plate 308 from Actualités, 1856

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Mr. Prudhomme: “There you are again, my son... another innocent victim of the murderous lead.... poor little duck... pray, you never shall become a hunter, my son!” Young Adolph: “But Daddy, I'd rather like to be a hunter than a dead duck!,” plate 13 from Émotions De Chasse, 1858

Honoré-Victorin Daumier

A work made of watercolor, with brush and brown ink, over graphite, on cream wove paper.

The Weight Lifter, c. 1850

Honoré-Victorin Daumier

A work made of screenprint on wove paper.

Markab, from Album I, 1955, published 1959

Victor de Vasarely

A work made of lithograph in black on white wove paper.

Scylla and Charybds, plate 44 from Actualités, 1869

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Strange.. this is what the French call "Chinois,” plate 21 from En Chine, 1859

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités, 1845

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités, 1857

Honoré-Victorin Daumier

A work made of bison hide, pigment, stitching.

Painted Tipi Curtain: Victory Record of the Elkhorn Scraper Warrior Society, c. 1870

Cheyenne

A work made of lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded).

“- So, Gringalet from Paris!.... you will dance twice with my Catherine ...... try again now to make sheep's eyes at her,” plate 27 from Pastorales, published October 28, 1845

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- You know my dear, you'll never believe this, but I think I would love to have some horse-meat for dinner tonight! - There we go.... my wife must be pregnant!,” plate 1 from Ces Bons Bourgeois, 1856

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

The source of the Seine is the Cote d'Or, and it empties into the Channel. On its way it traverses Paris where the inhabitants escape the summer's heat and try to find freshness and purity in this river, plate 3 from Les Baigneurs, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letterpress verso.

Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie, 1844

Honoré-Victorin Daumier

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