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A work made of lithograph on cream wove paper.

St. George (Bringer of Victories), from War: Mystical Images of War, 1914

Natalia Goncharova

A work made of color lithograph on ceam wove paper, laid down on linen.

For Home and Country Victory Liberty Loan, 1918, published 1919

Alfred Everitt Orr

A work made of color lithograph from multiple stones on paper.

La Samaritaine, 1897

Alphonse Marie Mucha

A work made of encaustic and collage on paper on board.

Acolo, November 1949

Victor Brauner

A work made of oil on canvas.

Alphabet de la Tête, 1938

Victor Brauner

A work made of oil on panel.

The Apotheosis of the Hero, c. 1635

Follower of Peter Paul Rubens

Champagne Ruinart

Champagne Ruinart, 1896

Alphonse Marie Mucha

A work made of oil on canvas with painted frame.

Turning Point of Thirst, 1934

Victor Brauner

Painting of a figure with a face that seems to be bisected at center and mirrored, with a set of green eyes and a set of red eyes below. Though the figure has one head, it has two bodies: a nondescript male torso at left and a female torso with prominent breasts at right. The background is a uniform blue. A spiny yellow vine suggests a neck at left. At right, another suggested neck features cone-like protrusions identical to the nipples on the female torso.

Gemini, 1938

Victor Brauner

A work made of silver.

Denarius (Coin) Depicting the Goddess Victory, 46 BCE

Ancient Roman

A work made of oil on cradled panel.

The Print Collector, c. 1860

Honoré-Victorin Daumier

A work made of pen and iron gall ink, with brush and brown wash, over traces of black chalk on cream laid paper, laid down on ivory laid paper with blue fibers.

Allegory of Victory, n.d.

Domenico Piola

A work made of oil on canvas.

Christopher Columbus, 1938/39

Victor Brauner

A work made of oil on canvas.

Animal, December 1950

Victor Brauner

Hamlet

Hamlet, 1899

Alphonse Marie Mucha

A work made of lithograph in black on white wove paper.

Nadar Elevating Photography to the Heights of Art, plate 367 from Souvenirs d’artistes, 1862

Honoré-Victorin Daumier

A work made of pen and black and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on laid paper prepared with orange wash, laid down on tan laid paper.

Study for Venice, Crowned by Victory, Receiving Her Subject Peoples, n.d.

Jacopo Negretti, called Palma Giovane

A work made of lithograph in black on grayish-ivory china paper laid down on ivory wove paper.

Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle, October 2, 1834

Honoré-Victorin Daumier

A work made of lithograph in black, olive, orange and blue on tan wove paper.

À la Bodiniére, 1894

Théophile-Alexandre Pierre Steinlen

A work made of lithograph in black on light gray china paper, laid down on white wove paper.

There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines", 1883

Odilon Redon

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