Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph in black on white wove paper.

Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades, 1851

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“I can see Monsieur that you are not from Paris. Let me warn you: there are people who look perfectly harmless just like me. They might approach you and rob you!,” plate 21 from Types Parisiens, 1840

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A Revolt On Board. “- Ah! you want to be your own captain!... - Ah! you are treating me like an idiot... hey... I hope the Seine washes away that insult!,” plate 13 from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of lithograph in black, with hand-coloring on ivory wove paper.

“I'm guarding city hall", 1822

Honoré-Victorin Daumier

A work made of lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper.

An Encounter in Open Water, plate eleven from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Battle Scene, 1818

Victor Lassus

A work made of gelatin silver print, from "chicago the rising city".

Victor Lawson Monument, 1970/72

Thomas A. Knudtson

A work made of lithograph in black on ivory china paper, laid down on white wove paper (chine collé).

The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, plate 301 from Souvenirs d’artistes, 1862

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

New Year's Day. The Chinese, following an old and respectable tradition invented by a confectioner, never fail to begin the year by offering to all their acquaintances chestnuts and other small presents. They kiss each other with pursed lips, but would rather tear each other apart. On this memorable day in Beijing alone 300'000 kilos of sweets and 200'000 kilos of gingerbread will be devoured. No wonder that on January 2nd all the little Chinese have a colic. But who cares.... next year they'll be again filled up with the same colic enhancing stuff always under the pretext of "traditional duty", plate 25 from Voyage En Chine, 1845

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Please no exaggerations in this article which goes to all the newspapers. Write only that our pupil Greluchot has received fourteen prizes and that there is no doubt that the Institute Bilboquet is the finest in all of Paris!,” plate 27 from Professeurs Et Moutards, 1846

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie, 1839

Honoré-Victorin Daumier

A work made of lithograph on ivory japanese paper, laid down on ivory wove paper (chine collé).

Landscape Painters at Work, plate 309 from Souvenirs d'artistes, 1862

Honoré-Victorin Daumier

A work made of oil on panel.

Street Musicians, c. 1855

Style of Honoré Victorin Daumier

A work made of lithograph in black on white wove paper.

Business Envoys, plate 43 from Tout Ce Qu'on Voudra, 1848

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“You remember now that young Cabassol is far too good in translation that I would allow anyone in this class to molest him... he is under my immediate protection! At the final exams it is he who will hold up the honour of Bilboquet High school,” plate 32 from Professeurs Et Moutards, 1846

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“He has become a Laaaand-Looooord!,” plate 18 from Les Bons Bourgeois, 1846

Honoré-Victorin Daumier

A work made of lithograph in black on buff wove paper.

“- I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?,” plate 2 from Croquis Parisiens, 1856

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Monsieur, I quit your service, I am going home... I don't want to be here when the world ends,” plate 4 from La Cométe De 1857, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques, 1851

Honoré-Victorin Daumier

<<<28293031 >>>