Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching, drypoint, and aquatint in black on cream laid paper.

Portrait of Guillaume Apollinaire, 1912–20

Louis Marcoussis

A work made of stencil.

The Victory Document, June 1945

Nikolai F. Denisovskii

A work made of lithograph on zinc, with additions in watercolor and gouache, on ivory wove paper.

Breton Women, c. 1889

Émile Bernard

A work made of oil on canvas.

Contemporary de Sade-John Wayne Gacy, 1981

Roger Brown

A work made of screenprint on kromekote paper.

Study for Holograms, 1970

Bruce Nauman

A work made of stencil.

The German Wolf in Sheep's Clothing, March 22, 1944

Pavel P. Sokolov-Skalia

A work made of acrylic on canvas.

Joe's Painting #125, 1965

Joe Zucker

Black-and-white woodcut of an abstracted sunset. On the top is the sun rising from a straight horizon line, and on the bottom is an upside down sun-like form, connected to curving lines and dots.

Avey, from Cane, 2000

Martin Puryear

A work made of stencil.

On Berlin's "Avenue of Victories", May 12, 1945

Pavel P. Sokolov-Skalia

A work made of color lithograph on paper.

School of Fish, from 1776 USA 1976: Bicentennial Prints, 1975

Wendy Meng

A work made of sprayed acrylic on ivory wove paper, with linear cut-outs.

Partly on This Side/Partly on the Other Side, 1979

Sigmar Polke

A work made of oil on canvas.

October Day, 1890–93

Jean Charles Cazin

A work made of stencil.

Repin and the White-Finnish Savages, August 4, 1944

Petr M. Shukhmin

A work made of acrylic on ivory wove paper.

Untitled (Landscape), 1967

Sigmar Polke

A work made of gelatin silver photogram.

Untitled, 1941

László Moholy-Nagy

A pencil drawing on cream paper of a woman from the waist up. She is portrayed in three-quarter view and wears a double-breasted jacket or coat with a striped scarf around her neck. Her long hair is down, brushed away from a face that looks alert and confident.

Portrait of Nusch Éluard, May 1941

Pablo Picasso

A work made of stencil.

An Inglorious End, after May 8, 1945

Petr M. Shukhmin

A work made of fabricated black chalk, with frottage on cream laid paper.

Saint-Séverin, 1909

Robert Delaunay

A work made of oil on canvas.

La Sainte-Chapelle, 1902

Maximilien Luce

Photo collage of two small circular portraits of men, superimposed over shadowy abstract shapes.

Untitled, 1923

El Lissitzky

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