Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of stencil.

Bring the Bandits to Answer!, January 14, 1945

Sergei N. Kostin

A work made of pen and brown ink, with brush and brown wash, and gouache, with touches of wiping (recto), and brush and gray wash, with touches of white-gray gouache and red wash (verso), on off-white white wove paper.

Seated Woman (recto); Study (verso), November 28, 1941 (recto); 1941 (verso)

Pablo Picasso

A work made of gouache with pen and black ink, graphite and touches of black crayon, on gray woodpulp board.

Tightrope Walkers, 1941

Julia Thecla

A work made of graphite on ivory wove paper.

The Redfish, 1941

Georges Braque

A work made of gelatin silver print.

Untitled (Apr. 1941), April 1941

Unknown Maker

A work made of gelatin silver print.

Chicago, Near the River, 1969

José Lopez

A work made of lithograph in black and red on white wove paper.

Raw-War, 1971

Bruce Nauman

A work made of stencil.

A Deadly Concern, April 17, 1944

Kukryniksy

A work made of stencil.

New German Divisions, November 16, 1944

Mikhail M. Cheremnykh

A work made of gelatin silver print.

Gulf Oil, Port Arthur, Texas, 1941

Edward Weston

A work made of oil on canvas.

Tobias and the Angel, 1878

Jean Charles Cazin

A work made of acrylic, cotton, and rhoplex on canvas.

Paying Off Old Debts, 1975

Joe Zucker

A work made of stencil.

A Terrible Ghost, February 4, 1944

Boris Nikolaevich Shirokorad

A work made of stencil.

Greetings to the People of Yugoslavia!, November 18, 1944

Mikhail M. Solov'ev

A work made of letterpress and gravure, complete set of 7 volumes in a slipcase.

The Industry of Socialism (Industriia sotsializma), 1935

El Lissitzky

A work made of oil on canvas.

Bridge in Moonlight, c. 1890

Louis Michel Eilshemius

A work made of color woodblock print.

Portrait of the Poet Hagiwara Sakutaro (1886–1942), Author of “Ice Island,” 1943, 1943

Onchi Kōshirō

A work made of stencil.

An Inescapable Date, March 31, 1945

Sergei N. Kostin

A work made of offset lithograph commercially printed on cream wove paper.

The False Image, 1968

Roger Brown

A work made of pen and black ink, with brush and gray wash, touches of orange and ochre gouache and orange colored pencil, over graphite, on ivory wove paper.

Untitled, 1941

László Moholy-Nagy

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