Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A white stalk-like form on a black background. The stalk, grounded on the right, curves up and to the left, culminating in a drooping teardrop bud that encloses a single seed.

Karintha, from Cane, 2000

Martin Puryear

A work made of pen and brown ink, with brush and brown wash, and gouache, with touches of wiping (recto), and brush and gray wash, with touches of white-gray gouache and red wash (verso), on off-white white wove paper.

Seated Woman (recto); Study (verso), November 28, 1941 (recto); 1941 (verso)

Pablo Picasso

A work made of gouache with pen and black ink, graphite and touches of black crayon, on gray woodpulp board.

Tightrope Walkers, 1941

Julia Thecla

A work made of gelatin silver print.

Chicago, Near the River, 1969

José Lopez

A work made of graphite on ivory wove paper.

The Redfish, 1941

Georges Braque

A work made of lithograph in black and red on white wove paper.

Raw-War, 1971

Bruce Nauman

A work made of stencil.

A Deadly Concern, April 17, 1944

Kukryniksy

A work made of stencil.

New German Divisions, November 16, 1944

Mikhail M. Cheremnykh

A work made of color woodblock print.

Portrait of the Poet Hagiwara Sakutaro (1886–1942), Author of “Ice Island,” 1943, 1943

Onchi Kōshirō

A work made of oil on canvas.

Tobias and the Angel, 1878

Jean Charles Cazin

A work made of acrylic, cotton, and rhoplex on canvas.

Paying Off Old Debts, 1975

Joe Zucker

A work made of stencil.

A Terrible Ghost, February 4, 1944

Boris Nikolaevich Shirokorad

A work made of gelatin silver print.

Gulf Oil, Port Arthur, Texas, 1941

Edward Weston

A work made of stencil.

Greetings to the People of Yugoslavia!, November 18, 1944

Mikhail M. Solov'ev

A work made of letterpress and gravure, complete set of 7 volumes in a slipcase.

The Industry of Socialism (Industriia sotsializma), 1935

El Lissitzky

A work made of oil on canvas.

Bridge in Moonlight, c. 1890

Louis Michel Eilshemius

A work made of offset lithograph commercially printed on cream wove paper.

The False Image, 1968

Roger Brown

A work made of stencil.

An Inescapable Date, March 31, 1945

Sergei N. Kostin

A work made of wood engraving in black ink on ivory chinese paper.

What May Come (Mexico, 1945), 1945

Leopoldo Méndez

A work made of color woodcut on white wove paper.

Family Tree Mourning Print, 1987

Roger Brown

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