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A work made of graphite on ivory wove paper.

The Redfish, 1941

Georges Braque

A work made of stencil.

Spiders in a Jar, August 12, 1942

Vladimir V. Lebedev

A work made of pen and brown ink, with brush and brown wash, and gouache, with touches of wiping (recto), and brush and gray wash, with touches of white-gray gouache and red wash (verso), on off-white white wove paper.

Seated Woman (recto); Study (verso), November 28, 1941 (recto); 1941 (verso)

Pablo Picasso

A work made of screenprint on white wove paper.

Weekend House, from Capitalist Realism, 1967

Sigmar Polke

A work made of letterpress.

Cover for foto-auge/oeil et photo/photo-eye, 1929

El Lissitzky

A work made of stencil.

Doughnuts and Bruises, November 6, 1943

Kukryniksy

A work made of enamel house paint on canvas and wood.

Interior, 2005

Joe Zucker

A work made of wood engraving in black ink on ivory chinese paper.

What May Come (Mexico, 1945), 1945

Leopoldo Méndez

A work made of painted plaster with gold leaf.

Cobalt and Gold Study II, 1978

Lynda Benglis

A work made of gelatin silver print.

Gulf Oil, Port Arthur, Texas, 1941

Edward Weston

A work made of etching in black on ivory wove paper.

Miss Helena Rubinstein, 1933

Louis Marcoussis

A work made of offset lithograph commercially printed on buff wove paper.

False Image, 1969

Roger Brown

A work made of gelatin silver print.

Street scene with elevated walkway, USSR, c. 1960

Jean Mohr

A work made of stencil.

Nurse, March 21, 1944

Fedor V. Antonov

A work made of color woodblock print.

Portrait of the Poet Hagiwara Sakutaro (1886–1942), Author of “Ice Island,” 1943, 1943

Onchi Kōshirō

A work made of stencil.

Untitled, May 1944

Kukryniksy

A work made of color woodblock print.

Portrait of the Poet Hagiwara Sakutaro (1886–1942), Author of “Ice Island,” 1943, 1943

Onchi Kōshirō

A work made of acrylic on canvas.

Untitled, 1968/69

Jordan Davies

A work made of pen and black ink, with brush and gray wash, touches of orange and ochre gouache and orange colored pencil, over graphite, on ivory wove paper.

Untitled, 1941

László Moholy-Nagy

Abstract black-and-white print. On the left curved and looped thin white lines form a face or human-like shape atop a longer long curved line. On the right is a curved field of white patterned by curving black lines.

Esther, from Cane, 2000

Martin Puryear

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