Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching, drypoint, and roulette in black on ivory wove paper.

Death by Suffocation, 1966

Art Green

A work made of linoleum cut in black on paper.

Dancing Skeletons, 1941

Alfredo Zalce

A work made of colored crayons, with pen and black ink and brush and gray wash, over graphite, on ivory wove paper.

Shelter Scene, 1941

Henry Moore

A work made of lithograph in black on ivory wove paper.

March, 1941

Grant Wood

A work made of charcoal, with stumping on cream tracing paper, tipped on ivory wove paper.

Study for The Rock, 1941

Peter Blume

A work made of drypoint in black and white on paper.

Night and Day, 1978

Jennifer Losch Bartlett

A work made of watercolor and gouache, over graphite, on ivory wove paper, tipped onto board.

The Coast of Norway, c. 1910

Gulbrand Sether

A work made of pen and black ink and watercolor on ivory wove paper (discolored to tan).

Templates of My Body Separated by Grease, 1966

Bruce Nauman

A work made of hand-colored lithograph on zinc on tan wove paper, tipped onto cream wove paper.

The Stroll, 1888

Émile Bernard

A work made of color screenprint on red coated paper.

Da Hairy Who Foyer - For Ya Prince, 1968

Art Green

A work made of monoprint on paper.

A Te'r III, n.d.

László Düs

A work made of gelatin silver print.

Untitled, c. 1969

James Alinder

A work made of stencil.

Cossack Glory, December 20, 1944

Aleksandr A. Przhetslavskii

A work made of stencil.

They Won't Escape!, December 29, 1944

Petr A. Sarkisian

A work made of stencil.

Continuing the Offensive, Our Forces Are Penetrating Ever Further Into German Territory., March 7, 1945

Aleksandr A. Przhetslavskii

A work made of stencil.

He Returned with Victory, May 24, 1945

Pavel P. Sokolov-Skalia

A work made of gelatin silver print.

Connecticut, 1941

Edward Weston

A work made of lithograph on off-white wove paper.

Nuns on Wall Street, 1941

Louis Lozowick

A work made of graphite, with erasing and smudging (recto), and graphite (verso), on white wove paper.

Untitled, Drawing for Sanctuary (recto and verso), c. 1982 (recto); n.d. (verso)

Martin Puryear

A work made of color lithograph on white wove paper.

Mile of Sculpture, 1984

Martin Puryear

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