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A work made of watercolor and gouache, with gold leaf, pen and black ink, and touches of brush and black ink, over graphite, varnished overall on off-white laid paper.

Courtyard of the Royal Palace, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

A work made of gelatin silver print, no. 2 from "portfolio three: yosemite valley" (1959).

Merced River, Cliffs of Cathedral Rocks, Autumn, 1939

Ansel Adams

A work made of color woodblock print; chuban.

Minakuchi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of etching on paper.

The Soldier with a Plumed Hat, plate three from La Noblesse, c. 1625

Jacques Callot

A work made of color woodblock print; chuban.

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of pochoir on paper.

Characters in the Night Guided by the Phosphorescent Tracks of Snails, plate three from Constellations, 1959

Daniel Jacomet

A work made of etching printed in black on paper.

A Magician, A Soldier, and Three Figures Watching a Burning Skull, from Scherzi, 1735–40

Giovanni Battista Tiepolo

A work made of etching on ivory laid paper.

Landscape with Three Brigands and Their Victim, 1668–71

Sébastien Bourdon

A work made of etching and engraving in black on ivory laid paper.

Plate Three, from Marriage à la Mode, 1746

Bernard Baron

A work made of gelatin silver print, from "portfolio three" (1974).

Romance of Ambrose Bierce #3, 1964, printed 1974

Ralph Eugene Meatyard

A work made of earthenware with three-color (sancai) lead glazes and traces of pigments.

Armored Guardian King (Tianwang) Trampling Demon, Tang dynasty (618–907 A.D.), first half of 8th century

A work made of hand-colored stencil print on crumpled paper; edition 40/50.

Three Wise Men, 1962

Sadao Watanabe

A work made of linocut on ivory japanese paper.

Three Old Figures, 1938

Fay Chong

A work made of silk, plain weave with supplementary warp forming cut pile; printed; lined with silk, warp-float faced satin weave.

Coat (Three-quarter Length with Attached Scarf), 1906/49

Mariano Fortuny y Madrazo

A work made of photogravure in black on off-white laid paper.

The Three Marys at the Tomb with the Angel, c. 1870-1940

Jacques Bellange

A work made of earthenware with three-color (sancai) lead glazes and traces of pigments.

Ogre-Headed Guardian Beast (Zhenmushou), Tang dynasty (618–907), first half of 8th century

A work made of silk, plain weave with three-color supplementary pile warps forming cut solid velvet.

Panel, 1401/25

A work made of color screenprint on white wove paper.

Three Lamps, from Screen Prints 1970, 1970

Daniel Burgevin

A work made of pen and brown ink with brush and brown wash, over graphite, on cream laid paper, laid down on buff laid paper.

Three Figures with Severed Head on Ground, 1600/20

Circle of Marcantonio Bassetti

A work made of brush and brown wash and black chalk, on buff laid paper, laid down on card.

Head of a Man in Three-quarters Profile, n.d.

Unknown Milanese

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