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Coin: 20 Franc Louis XVIII

Coin: 20 Franc Louis XVIII, 1814

French

Coin: 20 Lire Napoleon I

Coin: 20 Lire Napoleon I, 1808

Italian

A work made of wool, cotton, rayon, and acetate, broken twill weave.

Sample (Up 20 B #7), Late 1940s

Robert D. Sailors

A work made of graphite on buff wove paper (recto and verso) with red fibers.

Standing Male Nude (recto); Standing Female Nude, Seen from Behind, with Three Sketches, n.d.

Abram Poole

A work made of gelatin silver print.

Three Women Wearing the Same, 2001

Claire Pentecost

A work made of color woodblock print; uncut hosoban triptych, benizuri-e.

Sharing an Umbrella - A Set of Three (Aigasa sanpukutsui), c. 1755

Ishikawa Toyonobu

A work made of etching on paper.

The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length, c. 1631

Rembrandt van Rijn

A work made of linen, three bands of needle lace worked on a plain weave; cut and drawn work grid; edged with bobbin straight lace.

Collar (Made from Border), 1575/1625

A work made of lithograph in three colors on white wove paper.

Night Repair, 1983

Charles Arnoldi

A work made of color lithograph on paper; edition 15/20.

Nude, 1932

Oda Kazuma

A work made of steel.

Cuisse and Poleyn for the Left Leg, c. 1510/20

A work made of color woodblock print; edition 14/20.

Woman, 1957

Nakao Yoshitaka

A work made of pen and black ink corrected with white gouache, over traces of graphite, on ivory laid paper, laid down on buff wove card.

The Three Customers, n.d.

Randolph Caldecott

A work made of lithograph from three stones in red, black, and yellow on cream laid paper.

Glass of Wine, 1905

Jean Veber

A work made of graphite with touches of red chalk on ivory wove paper.

Three Men with Dogs, n.d.

George Morland

A work made of albumen print, stereo.

The Three Brothers, Inverted, 1861/80

Carleton Watkins

A work made of steel, leather, brass, and gilding.

Fingered Gauntlet for the Right Hand, c. 1600/20

A work made of earthenware with three color (sancai) lead glazes and underglaze molded decoration.

Stem Cup, Tang dynasty (618–906)

A work made of etching in dark brown, with stipling and handcoloring, on cream wove paper.

"Oh! that this too too solid flesh would melt.", published March 20, 1791

James Gillray

A work made of etching, roulette, and drypoint on cream chine collé, laid down on cream wove paper.

The Large Thistle, plate three from Les quatres grandes plantes, 1843

Eugène Blery

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