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A work made of black chalk, with touches of pen and black ink and white chalk, on tan laid paper.

Lot's Daughters Fleeing Sodom, 1615/20

Lucas Emil Vorsterman

A work made of etching on white wove paper.

The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length, n.d.

Rembrandt van Rijn

A work made of gilt copper worked in repoussé, with traces of red pigment.

Set of Three Shrine Ornaments with Two Crocodiles (Makara) and a Serpent King (Nagaraja), 16th/17th century

A work made of buff earthenware with three-color (sancai) lead glazes and molded decoration.

Horse (Tomb Figure), Tang dynasty (618–907), first half of 8th century, with restored head and neck

A work made of color photolithograph and lithograph from three stones on cream wove paper.

Seagull—Bikini of God, 1978

Robert Rauschenberg

A work made of etching and burnishing on ivory wove paper with gilt edges.

Against the Common Good, plate 71 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of drypoint, with hand-coloring, on white wove paper.

Castor Criss-Cross Pollux, from First Three Minutes, 1987

Robert Cumming

A work made of iron, wood, and paint.

Lance for Joust or Quintain Course, 1710-20

A work made of gelatin silver print.

Untitled, c. 1940/59

Unknown Maker

A work made of collaged elements on cut and embossed (designed) ivory wove paper.

Untitled Valentine (Three Hearts), c. 1865

Berlin and Jones

A work made of pen and ink, two page, double-sided autograph letter, signed julia margaret cameron.

Autograph Letter, 20 June 1875

Julia Margaret Cameron

A work made of color woodblock print; chuban.

Goyu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of engraving in black on buff laid paper.

Three-Masted Ship Steering to the Right, c. 1467

Master W with the Key

A work made of graphite on ivory wove paper.

Yvette Guilbert (recto) Three-Quarter Length Study of Yvette Guilbert (verso), c. 1894

Henri de Toulouse-Lautrec

A work made of graphite, on tan wove paper, perimeter mounted on ivory laid paper.

Cross-Section of a Pillared Hall and Three Figure Sketches, 1813/14

Jean Louis André Théodore Géricault

A work made of gelatin silver print.

Zabriski Point, Death Valley National Monument, California, No. 12 from "Portfolio Three: Yosemite Valley" (1959), 1942, printed 1950

Ansel Adams

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Three People, a Mask, a Fox, and a Bird, headpiece for Le sourire, 1899

Paul Gauguin

A work made of pen and black ink, brush and black ink, gray wash, and orange watercolor wash, with scraping, with white gouache, over graphite, on cream wove paper.

Three Monks Crossing a Bridge Over a Cataract, n.d.

Unknown

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 10 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.5–0.7 mm weft: count: varies from 20 to 48 wefts per cm: wool: s-ply of two z-spun elements; diameters: 0.3–0.8 mm; silk: pairs and three yarns of s-ply of two z-twisted elements; paired yarns of s-ply of two z-twisted elements and single z-twisted element; diameters: 0.4–0.85 mm.

Caesar Embarks by Boat to Join His Army from The Story of Caesar and Cleopatra, c. 1680

Workshop of Gerard Peemans

A work made of color woodblock print; oban.

Hamamatsu—No. 30, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

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