Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Max Ernst & Dorothea Tanning, New York, March 20, 1947, printed 1983

Irving Penn

A work made of etching in black on paper.

Bull Grazing and Three Sheep, 1670

Adriaen van de Velde

A work made of steel.

Combination Primer-Spanner-Ramrod, 1600/20

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Three People, a Mask, a Fox and a Bird, headpiece for Le sourire, 1899

Paul Gauguin

A work made of charcoal, with oiled charcoal, heightened with traces of white chalk, on blue laid paper, laid down on ivory laid paper.

Reclining Nude, 1600/20

Workshop of Domenico Tintoretto

A work made of engraving on paper.

Plate Three, from A New Book of Ornaments, 1704

Simon Gribelin, II

A work made of drypoint, with hand-coloring, on white wove paper.

Four "M" Mesh, from First Three Minutes, 1987

Robert Cumming

A work made of albumen print, stereo.

War Chief of the Zuni Indians, No. 20 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of gelatin silver print.

Untitled (Three children with car, Chicago), 1967

Unknown

A work made of color photo-etching from four plates on ivory wove paper.

Plate Three from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of blue crayon, on cream wove paper.

Three Sketches: Woman with Hair Down, Woman with Hat, Woman Half-Dressed, n.d.

Jean Louis Forain

A work made of wool and silk, slit and double interlocking tapestry weave.

Chancellerie, 1718/20

Manufacture Royale de Beauvais

A work made of engraving in black on ivory laid paper.

Two Children Wearing Helmets, plate three of Twelve Ornament Panels, c. 1505–20

Giovan Pietro Birago

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

High-Ranking Courtesans of the Three Capitals - A Set of Three (Santo tayu sanpukutsui), c. 1740

Torii Kiyomasu II

A work made of color woodblock print.

Ishiyakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of etching and engraving in black on cream laid paper.

Evening, Plate Three from The Four Times of Day, 1738

Bernard Baron

A work made of color woodblock print; oban.

Hodogaya: Katabira River and Katabira Brige (Hodogaya, Katabiragawa Katabirabashi)—No. 5, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color woodblock print; chuban.

Ouchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of graphite, on cream wove paper, perimeter mounted on ivory laid paper.

Three Studies with Sketches of a Wooded Landscape and a Cavalry Battle, 1813/14

Jean Louis André Théodore Géricault

A work made of graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory japanese paper, edge mounted on cream card.

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, 1770–71

Henry Fuseli

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