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A work made of pen and black iron gall ink on ivory laid paper.

Three Half-Length Figures, 1622/72

Pieter Jansz.

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate Three from Misery, 1851

Charles Rambert

A work made of woodblock print.

Three Gourds (Kabocha), 1963

Hiratsuka Un'ichi

A work made of color woodblock print; chuban.

Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Wishes, plate three from A Glove, 1881

Max Klinger

A work made of color woodcut from three blocks and lithograph in blue on tan wove paper.

Playful Mermaid, 1897

Henri Heran

A work made of color woodblock print; ōban.

Okabe: Mount Utsu (Okabe, Utsunoyama)—No. 22, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, 1847–52

Utagawa Hiroshige

A work made of lithograph in pale pink, green, and pale green on light ivory wove paper.

The Morning Bouquet, Tears, plate three from Love, 1898, published 1899

Maurice Denis

A work made of gouache and watercolor, with touches of black fiber-tipped pen and graphite, over green and blue pastel and graphite, on off-white laid paper.

The Prince and Truffaldino Pushing the Oranges, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

A work made of steel.

Combination Primer-Spanner-Ramrod, 1600/20

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of color woodblock print; chuban.

Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of gelatin silver print, no. 20, from the portfolio "arthur rothstein" (1981).

Boy with Chicken, Hungjao, China, 1945

Arthur Rothstein

A work made of charcoal, with oiled charcoal, heightened with traces of white chalk, on blue laid paper, laid down on ivory laid paper.

Reclining Nude, 1600/20

Workshop of Domenico Tintoretto

A work made of three-color silkscreen on paper.

Ten Days, from The New York Collection for Stockholm, 1973

James Rosenquist

A work made of wood engraving in black on ivory japanese paper.

The Three Fates #1, 1946

Cecil Buller

A work made of pen and brown ink with brush and brown wash, over graphite, and black crayon on cream wove paper, perimeter mounted on ivory laid paper.

Three Sketches of an Equestrian Battle and a Sketch of Two, 1813/14

Jean Louis André Théodore Géricault

A work made of color woodblock print; naga-oban.

Mother and Child at Dusk (Oyako yugure), from the series "Three Evening Pleasure of the Floating World (Ukiyo san seki)", c. 1800

Kitagawa Utamaro

A work made of color lithograph on white nacre paper.

Three Generals, 1961

Misch Kohn

A work made of color aquatint, drypoint, and soft ground from three plates, on off-white laid paper.

The Lamp, 1890–91

Mary Cassatt

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