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A work made of gelatin silver print (2), chromogenic print (1).

Section 20 of The Blind, 1986/89

Sophie Calle

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of various.

Patti Adams Shriner, House and Studio, Number 2, 1928

Bruce Goff

A work made of collotype, pl. xx from the album "illustrations of china and its people, volume i" (1873).

Physic Street, Canton, c. 1868

John Thomson

A work made of collotype, pl. xx from the album "illustrations of china and its people, volume ii" (1873).

Part of Foochow Foreign Settlement; Terracing Hills; Foochow Field Women; A Memorial Arch, c. 1868

John Thomson

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

High-Ranking Courtesans of the Three Capitals - A Set of Three (Santo tayu sanpukutsui), c. 1740

Torii Kiyomasu II

A work made of engraving in black on ivory laid paper.

Two Children Wearing Helmets, plate three of Twelve Ornament Panels, c. 1505–20

Giovan Pietro Birago

A work made of three color lithograph on ivory wove paper.

End of Summer, 1977

Albin Brunovsky

A work made of etching and engraving in black on cream laid paper.

Evening, Plate Three from The Four Times of Day, 1738

Bernard Baron

A work made of color woodblock print.

Ishiyakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of color woodblock print; chuban.

Ouchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of graphite, on cream wove paper, perimeter mounted on ivory laid paper.

Three Studies with Sketches of a Wooded Landscape and a Cavalry Battle, 1813/14

Jean Louis André Théodore Géricault

A work made of lithograph in black on ivory wove paper.

Mounted Artilleryman with Three Horses Bridled at Once, 1817

Carle Vernet

A work made of color woodblock print; oban.

No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])", c. 1835/36

Keisai Eisen

A work made of color woodblock print; oban.

Hodogaya: Katabira River and Katabira Brige (Hodogaya, Katabiragawa Katabirabashi)—No. 5, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of engraving in black on ivory laid paper.

The Triumph of Fame, plate three from the Triumphs of Petrarch, c. 1539

Georg Pencz

A work made of color woodblock print; chuban.

Hiratsuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory japanese paper, edge mounted on cream card.

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, 1770–71

Henry Fuseli

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

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