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A work made of engraving in black on buff laid paper.

Three-Masted Ship Steering to the Right, c. 1467

Master W with the Key

A work made of halftone relief print.

Peter Gowland, No. 20 from the series "The Baseball-Photographer Trading Cards", 1975

Mike Mandel

A work made of walnut, steel, silver, and baleen.

Percussion Fowling Piece, 1810/20

Berthon-Perrin

A work made of graphite heightened with watercolor and touches of white gouache on gray wove paper.

Shepherdess, 1810/20

Richard Westall

A work made of wool, three-colored complementary weft, weft-float faced 3:1 twill weave; lined with linen, plain weave; two panels pieced.

Peacock and Dragon, Design 1878

William Morris

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 5 warps per cm; wool: s-ply of three z-spun elements; diameter: 1.2 mm weft: count: varies from 20 to 34 wefts per cm; wool: s-ply of two z-spun elements; diameters; 0,4–1.2 mm; silk: s-ply of two z-twisted elements; diameters: 0.5–1.5 mm.

The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob, 1560/68

Workshop of Jan van Tieghem

A work made of graphite, on tan wove paper, perimeter mounted on ivory laid paper.

Cross-Section of a Pillared Hall and Three Figure Sketches, 1813/14

Jean Louis André Théodore Géricault

A work made of gelatin silver print.

Zabriski Point, Death Valley National Monument, California, No. 12 from "Portfolio Three: Yosemite Valley" (1959), 1942, printed 1950

Ansel Adams

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Three People, a Mask, a Fox, and a Bird, headpiece for Le sourire, 1899

Paul Gauguin

A work made of pen and black ink, brush and black ink, gray wash, and orange watercolor wash, with scraping, with white gouache, over graphite, on cream wove paper.

Three Monks Crossing a Bridge Over a Cataract, n.d.

Unknown

A work made of etching on paper.

The Bathers, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of ink on linen.

Tree Study Number Eight: Eucalyptus Tree, 1919/20

Marion Mahony Griffin

A work made of color woodblock print; oban.

Hamamatsu—No. 30, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of linen; plain weave; embroidered with silk in bullion, chain, crested chain, rosette chain, closed feather, long-armed cross, whipped long-armed cross, knot and stem stitches.

Panel with the Figures of Three Continents, 17th century

A work made of albumen print.

Untitled, Street Corner (60 Rue Beaubourg), 1910/20

Jean-Eugène-Auguste Atget

A work made of color lithograph on wove paper.

Text Sheet, plate from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left), c. 1729

Torii Kiyomasu II

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Souvenir of St. Valéry-sur-Somme, plate three from Six Marines, 1833

Eugène Isabey

A work made of buff earthenware with three-color (sancai) lead glazes and molded decoration.

Horse (Tomb Figure), Tang dynasty (618–907), first half of 8th century, with restored head and neck

A work made of color photolithograph and lithograph from three stones on cream wove paper.

Seagull—Bikini of God, 1978

Robert Rauschenberg

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