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A work made of wool, plain weave, glazed (calimanco); quilted with silk thread.

Bedcover, 1778

A work made of cotton and linen, weft-float faced twill weave; embroidered with wool in back, buttonhole, coral, romanian, satin and stem stitches; french knots and couching; binding: wool, plain weave.

Panel, 1675/1700

A work made of silk, plain weave with supplementary patterning warps and supplementary patterning and brocading wefts bound in weft-float faced 1:3 twill interlacings.

Panel, c. 1735

Style of Jean Revel

A work made of cotton, velveteen; hand printed.

Tropic of Capricorn (Furnishing Fabric), 1963

Jack Lenor Larsen Inc.

A work made of linen, plain weave; screen printed.

Construction (Furnishing Fabric), c. 1950

Ruth Adler Schnee

A work made of cotton, plain weave; supplementary pile warps forming cut, solid velvet; resist-dyed (batik); printed selvedge.

Conquistador (Furnishing Fabric), 1966

Larsen Design Studio

A work made of oil on canvas.

Design for a Carpet or Hanging, 1939

George Lovett Kingsland Morris

A work made of cotton, plain weave; resist dyed.

Fireman's Coat, Meiji period (1868–1912)

A work made of silk, satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts.

Sutherland, 1870/71

Owen Carter Jones

A work made of linen, plain weave; embroidered with silk floss in double running stitch.

Border, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

Islamic

A work made of silk, plain weave with supplementary brocading wefts and self-patterned by two-color complementary ground wefts.

Panel, c. 1725

A work made of cotton and rayon, twill weave; screen printed.

Cities (Furnishing Fabric), c. 1950

Angelo Testa

A work made of wool, three-colored complementary weft, weft-float faced 3:1 twill weave; lined with linen, plain weave; two panels pieced.

Peacock and Dragon, Design 1878

William Morris

A work made of wool and cotton, warp-faced plain weave embroidered with cross stitches; attached crochet edging and borders terminating in knotted cut fringe.

Ceremonial Scarf (bufando or ufanta), 1850/1900

Aymara

A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Babies Cap, 1850/1900

A work made of silk, plain weave; needlework in gilt strip wound around silk core and silk floss in satin, stem, and outline stitches; sleeves: button covered in gold gilt thread.

Jacket, 1920s

Natalia Goncharova

A work made of silk, twill weave; screen printed.

Scarf, 1974

Jean-Paul Riopelle

A work made of silk, plain weave; underlaid with linen, plain weave; embroidered with silk, gilt-metal strips and purl, and gilt- and silvered-metal-strip-wrapped silk in back, satin, split, and stem stitches; laid work, couching, padded couching, and french knots; gilt-metal spangles; edged with appliquéd linen, plain weave; embroidered with gilt-metal strips and gilt-metal-strip-wrapped silk in laid work, couching, and padded couching; lined with linen, plain weave.

Dalmatic and Humeral Veil, 1675/1725

A work made of wool and silk, slit and double interlocking tapestry weave.

Large Leaf Verdure with Proscenium, Animals, and Birds, 1525/50

A work made of cotton, plain weave; copperplate printed.

Au Loup! (Furnishing Fabric), 1783/89

Jean Baptiste Huet

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