Curator

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A work made of gelatin silver print.

3 Chanel Products, New York, 1968, printed 1992

Irving Penn

A work made of platinum-palladium print.

Mud Glove, New York, 1975

Irving Penn

A work made of silver dye-bleach monoprint.

Second-Degree Still Life #54 (Light a Candle for Poland), 1983

Jerry Burchfield

A work made of gelatin silver print.

Untitled, 1927

Albert Renger-Patzsch

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896

Odilon Redon

A work made of platinum-palladium print.

Cigarette No. 50, New York, 1972, printed December 1974

Irving Penn

A work made of embossing and graphite on white wove paper.

Still Life 1965, from New York Ten, 1965

Tom Wesselmann

A work made of etching and burnishing on ivory wove paper with gilt edges.

They Can Still be of Use, plate 24 from The Disasters of War, 1810/12, published 1863

Francisco José de Goya y Lucientes

A work made of gelatin silver print.

Cups and Saucers, 1977, printed 1985

Graham Howe

A work made of silver dye-bleach print.

Untitled, May 1987

Sal Lopes

A work made of gelatin silver print.

Untitled, 1963

Ralph Eugene Meatyard

A work made of gelatin silver print.

Whiting, Indiana, 1975

Jack A. Jaffe

A work made of dye imbibition print.

After Dinner Games, New York, 1947, printed 1959/60

Irving Penn

A work made of gelatin silver print.

Chicago, 1988

Kenneth Josephson

A work made of etching on off-white wove paper.

Still Life - Pyramid of Fruit, 1935/42

Elizabeth Colwell

A work made of copper engraving on cream wove paper.

Cafeteria Still Life, 1935/42

Fred Becker

A work made of chromogenic print.

Tube, 1999

Jan Staller

A work made of silver dye-bleach print.

Untitled, September 1984

Sal Lopes

A work made of oil on canvas.

Still Life with Grapes and Flowers, c. 1827

Mélanie de Comoléra

A work made of dye imbibition print.

Theater Accident, New York, 1947, printed 1984

Irving Penn

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