Curator

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A work made of gelatin silver print.

Underfoot XXX, New York, August/September 2000, printed November 21, 2000

Irving Penn

A work made of gelatin silver print.

Untitled, 1945/72

Ralph Eugene Meatyard

A work made of lithograph in black on white wove paper.

“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier, 1864

Honoré-Victorin Daumier

A work made of platinum-palladium print.

Fish Made of Fish, New York, 1939, printed 1983

Irving Penn

A work made of gelatin silver print.

Chicago, 1988

Kenneth Josephson

Unidentified Woman (Vera Atwool, Trinity Towers, Louisville, KY), No. 13 of 14 from the series "Stills"

Unidentified Woman (Vera Atwool, Trinity Towers, Louisville, KY), No. 13 of 14 from the series "Stills", 1980, printed 2012

Sarah Charlesworth

A work made of platinum-palladium print.

Camel Pack, New York, 1975, printed November 1975

Irving Penn

A work made of gelatin silver print.

Chicago, 1962

Kenneth Josephson

A work made of gelatin silver print.

Chicago, 1992

Kenneth Josephson

A work made of dye imbibition print.

Cottage Tulip: Sorbet, New York, 1967, printed 1986

Irving Penn

A work made of gelatin silver print.

Unidentified Man, Unidentified Location (#2), No. 3 of 14 from the series "Stills", 1980, printed 2012

Sarah Charlesworth

A work made of gelatin silver print.

Unidentified Man, Corpus Christi, Texas, No. 7 of 14 from the series "Stills", 1980, printed 2012

Sarah Charlesworth

A work made of lithograph on ivory wove paper.

Still Life for a Catholic Vinter, 1962

Wesley Chamberlin

A work made of lithograph (crayon) in black on paper.

Still Life with Dark & Light, 1960/63

Joel Goldblatt

A work made of silver dye-bleach monoprint.

Second-Degree Still Life #54 (Light a Candle for Poland), 1983

Jerry Burchfield

A work made of gelatin silver print.

Untitled, 1956

Ralph Eugene Meatyard

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896

Odilon Redon

A work made of chromogenic print, from the portfolio "harry bowers: ten photographs" (1984).

HB-22-80, 1979

Harry Bowers

A work made of chromogenic print, from the portfolio "harry bowers: ten photographs" (1984).

Going Steady at 40, 1978

Harry Bowers

A work made of embossing and graphite on white wove paper.

Still Life 1965, from New York Ten, 1965

Tom Wesselmann

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