Curator

  • Art Institute Chicago
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Still life painting of dead waterfowl and vegetables in windowsill.

Portrait Vessel of a Ruler with Mustache and Feathered Headdress, 100 BCE–500 CE

Moche

A work made of cotton, plain weave; painted.

Tunic, c. 1900

Shipibo

A work made of ceramic, pigment, and gold.

Fragment of a Jar in the Form of a Human Head, Possibly Deceased, Wearing a Nosering, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Globular Stirrup Vessel with Depicting Abstract Animals, Possibly Overpainted, 100 BCE–500 CE

Moche

A work made of chromogenic print, from the portfolio "the green dress: a chicago story" (1980).

South Side Junkyard, 1980

Dirk Bakker

Border Fragments

Border Fragments, 200 CE-500CE

Nasca

A work made of ceramic.

Handle Spout Vessel in the Form of a Seated Anthropomorphic Owl, 100 BCE–500 CE

Moche

A work made of opaque watercolor and gold on paper.

Ragini Manavati, Page from a Jaipur Ragamala Set, c. 1750-1770

A work.

Fragment, 700 CE-900 CE

Nasca

A work made of ceramic and pigment.

Vessel Depicting a Spotted Frog, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Vessel with Marine Beings, 50–500 CE

Nasca

A work made of gelatin silver print.

Chicago (South Side, Bridgeport), 1990

Gary Stochl

A work made of ceramic and pigment.

Anthropomorphic Flat-sided Flask with Molded Head and Painted Textile Tunic, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Vessel Depicting the Assault of Bean Warriors, 100 BCE–500 CE

Moche

A work made of steel, brass, and leather.

Breastplate, c. 1580

A work made of watercolor on paper.

South Shore Park, Chicago, Illinois, Design Sketch, c. 1896

Daniel Hudson Burnham

A work.

Band

A work made of seventeen layers of cotton and rayon, plain weaves; some fulled; plain weave self-patterned by main warp and ground weft floats; and plain weave with supplementary pile warps forming cut solid velvet; printed; beaded with cotton and glass beads; embellished with brass buttons and cotton and polyester cords.

Wedding Cape (Isibheklane), Before 1930

Ngwane

A work made of wool (camelid), plain weave; embroidered in stem stitches; corners edged with weft-faced plain weave with extended ground weft fringe and embroidered in cross-knit loop stitches.

Mantle, 100 BCE-200 CE

Paracas

A work made of opaque watercolor and gold on paper.

Ragini Kedara, Page from a Jaipur Ragamala Set, c. 1750-1770

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