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A work made of silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist.

Panel, 1982

Ethel Stein

A work made of handscroll; ink and color on silk.

The Four Accomplishments, Qing dynasty (1644–1911), 19th century

Wang Ning

A work made of hanging scroll; ink and colors on silk.

The Salt Maidens, Matsukaze with Yukihira's Coat, Edo period, c. 1800

Chôbunsai Eishi

A work made of (probably) silk, plain weave; embroidered with silk in single and surface satin stitches.

#32, 1990

Scott Rothstein

A work made of linen, plain weave; embroidered with silk in double running, twined double running and stem stitches; both selvages present.

Towel/Napkin, 17th century

A work made of wooden frame with nails wrapped and crossed with wool and silk; embroidered with wool and silk in back, overcast, single satin, and stem stitches; couching.

Unfinished Hanging, 1950-91

Claire Zeisler

A work made of hard-paste porcelain and silver.

Ewer, Porcelain: c. 1573–1610 (Ming dynasty [1368–1644], Wanli period [1573–1620]); mounts: c. 1610

A work made of silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 'z' twill weave with supplementary patterning wefts; lined with silk, plain weave; dyed with safflower, beni.

Atsuita karaori (Noh Costume), late Edo period (1789–1868), 1801/25

A work made of wool and silk; tapestry weave.

Psyche's Entrance into Cupid's Palace from the Story of Psyche, 1756/63

François Boucher

A work made of linen, plain weave; embroidered with silk in running stitches (twill darning); lined with cotton, plain weave.

Cover, 17th century

A work made of silk and gilt-paper strip; twill and satin weaves with supplementary patterning wefts.

Kesa, 18th century, Edo period (1615–1868)

A work made of silk, weft resist-dyed (ikat) twill weave.

Ceremonial Hanging (Khmer Pidan), 1875/1925

Khmer

A work made of silk, bobbin straight lace.

Two Borders, 1870s

A work made of silk and gilt-metal-strip-wrapped silk, satin damask weave with brocading wefts; edged with woven tape and fringe.

Chasuble, 1700/25

Cloth fragment of dress, blue and brown floral design in circular patterns.

Fragment (Dress Fabric), Tang dynasty (CE 618–906), late 8th/early 9th century

A work made of cotton and linen, weft float-faced 2:1 twill weave; embroidered with wool and silk in back, bullion, buttonhole, chain, detached chain, coral, satin, single satin, and stem stitches; laid work, couching, and french knots.

Panel, 1675/1700

A work made of hanging scroll; ink and color on silk.

Beauty Replacing Her Hairpin, Edo period, 1798

Chôbunsai Eishi

A work made of two-panel screen; ink and color on silk.

Relaxing in the Shade, c. 1933

Yamakawa Shûhô

A work made of linen, plain weave; embroidered with silk yarns and gilt-metal-strip-wrapped silk in algerian eye, back, ceylon, chain, detached buttonhole, double running, plaited braid, running, square openwork and stem stitches; couching; woven wheels; lined with linen, plain weave.

Cushion Cover (Made from Woman's Dress), Elizabethan period, 1575/1600

A work made of linen, plain weave; embroidered with silk in darning, double running, twined double running, and stem stitches.

Fragment (Cover or Turban Cover), 17th century

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