Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:2 'z' twill interlacings; painted details; closures, ties, and lining: silk, 4:1 satin damask weave; metal clasps and knotted button.

Bridal Long Pao (Dragon Robe), 1875/90, Qing dynasty (1644–1911)

Han-Chinese

A work made of silk, wild silk, and linen, satin weave with patterning wefts bound in twill interlacings; woven on loom with jacquard attachment.

Panel, c. 1900

René Beauclair

A work made of wool, silk, and gilt-metal-strip-wrapped silk; slit tapestry weave with some 2 : 2 interlacing in alternate alignment of some gilt metal strip-wrapped silk wefts warp: count: 10 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.7–0.8 mm weft: count: varies from 38 to 76 wefts per cm; wool: single z-spun elements; s-ply of two z-spun elements; diameters: 0.2–0.5 mm; silk: pairs of z-twisted elements; three yarns of z-twisted elements; four yarns of s-twisted elements; s-ply of two z-twisted elements; pairs of s-ply of two z-twisted elements; three yarns of s-ply of two z-twisted elements; z-ply of three s-twisted elements; diameters: 0.3–0.5 mm; gilt-metal-strip-wrapped silk: gilt-metal strip wrapped in an s-direction on an s-ply of two z-twisted elements; diameters: 0.3–0.35 mm.

Christ Appearing to Mary Magdalene (“Noli me tangere”), 1485/1500

A work made of cast iron and dyed silk.

Veil, 1987

Richard Rezac

A work made of linen(?), plain weave; embroidered with silk floss and gilt and silvered-metal-strip-wrapped thread in detached buttonhole, buttonhole filling, stem, chain, ladder, threaded back (italian link), holllie, and ceylon variation stitches; plaited braid.

Coif, c. 1600

A work made of steel, iron, gilding, wood, and silk textile (velvet).

Arming Sword, 1520/30

A work made of hanging scroll; ink and slight color on silk.

Spring Arriving in the Han Palace 漢宮春曉圖, Qing dynasty (1644–1911), 1717

Yuan Jiang

A work made of silk, warp-float faced 4:1 satin weave with supplementary patterning wefts bound by secondary binding warps in plain interlacings.

Fragment, Mamluk period (1250–1517), 14th/15th century

Islamic

A work made of silk, satin weave; embroidered with silk and silk chenille yarns in satin, single satin, split, and stem stitches; couching; painted; lined and edged with linen, plain weave.

The Harp that Once through Tara's Halls, 1827

Mary R. Glenn

A work made of silk and gold-leaf-over-lacquered-paper strip, slit tapestery weave (kossu); backed with silk, plain weave, creped wefts; tassels: painted and plied.

Uchishiki (Altar Cloth), late Edo period (1789–1868), 1801/25

A work made of silk, warp-float faced 4:1 satin weave; embroidered with silk floss and frisé yarns, gilt-metal purl, gilt-metal-strip-wrapped silk, metal pieces, and paillettes in detached chain, running, satin, split and tied herringbone stitches; laid work, couching, and padded couching.

Needlework Picture Depicting Adam and Eve in the Garden of Eden, 17th century, c. 1640

A work made of hard-paste porcelain and silver.

Ewer, Porcelain: c. 1573–1610 (Ming dynasty [1368–1644], Wanli period [1573–1620]); mounts: c. 1610

A work made of hanging scroll; ink, colors, and gold on silk.

Portrait of Kobo Daishi (Kukai), 14th century

A work made of hanging scroll; ink, colors, and gold on silk.

Nehan: Death of the Buddha, late 17th/early 18th century

A work made of silk, plain weave; embroidered with silk; appliquéd.

Long Housewife, 19th century

A work made of linen, plain weave; cutwork embroidered with linen in needle lace filling stitches; cut and drawn work embroidered with silk and linen in buttonhole, cross, darning and single satin stitches; and embroidered with silk in buttonhole, chain and satin stitches.

Sampler, 1795

A work made of silk, wool, and cotton, warp threads dyed in multiple colors prior to weaving; center of 2:2 's' twill weave; patterned areas of warp-float faced 3:1 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; woven on loom with jacquard attachment.

Square Shawl, c. 1850

A work made of silk, twill weave; screen printed.

Scarf, 1966

Saul Steinberg

A work made of linen and wool, plain weave with supplementary pile warps forming cut solid velvet; edged with silk and linen plain weave extended weft cut fringe.

Carpet, 1650/1700

A work made of silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 'z' twill weave with supplementary patterning wefts; lined with silk, plain weave; dyed with safflower, beni.

Atsuita karaori (Noh Costume), late Edo period (1789–1868), 1801/25

<<<14151617 >>>