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Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

A work made of hanging scroll; ink and colors on silk.

Three Beauties Chatting by a Veranda, About 1792

Katsukawa Shunsho

A work made of hanging scroll; ink and colors on silk.

Beauty Under the Cherry Blossoms, early 1930s

Enomoto Chikatoshi

A work made of silk and gold gilt strip wound around silk fiber core, plain weave with supplementary patterning weft loop fringe and extended ground weft cut fringe.

"Renaissance" Fringe, 16th century

A work made of silk, 2:1 twill weave, with complementary weft plain weave double cloth.

Panel (Dress Fabric), 17th century, Safavid Dynasty (1501–1722)

A work made of silk and gilt-metal-strip-wrapped silk, 4:1 satin damask weave with supplementary brocading wefts bound by main warps in weft-float faced 1:4 's' interlacing; edged with gilt-metal-strip-wrapped silk, plain weave with supplementary patterning warps and extended ground weft uncut fringe and silk, gilt-metal-strip and gilt-metal-strip-wrapped silk, stripes of plain weave with supplementary patterning warps and of 2:2 'z' twill weave with extended ground weft, wrapped, knotted uncut fringe; lining: silk, plain weave.

Altar Frontal, Second half of 16th century

A work made of silk, gilt-animal-substrate-wrapped linen, warp-float faced 2:1 twill weave with supplementary patterning wefts bound by secondary binding warps in weft-float faced 1:3 twill interlacings; left selvage present.

Fragment, 14th century

A work made of silk, warp-float faced 7:1 satin weave; appliquéd with silk, warp-float faced 7:1 satin and plain weaves; painted; embroidered with silk, silk 2:2 twill oblique interlaced tapes, gilt- and silvered-metal-strip-wrapped silk, and gilt- and silvered-metal strips, coils, wires and paillettes in satin, single satin, raised stem and a variety of buttonhole stitches; laid work and couching; feathers; glass beads and seed pearls.

Picture Depicting the Queen of Sheba before King Solomon, 1601/50

A work made of linen, plain gauze weave; embroidered with silk floss and linen in double running, stem, weaving, and buttonhole stitches; applied silk tassels at each corner.

Sampler, 17th century

A work made of linen, plain weave; pulled thread work with silk floss in two-sided italian cross stitch; embroidered in back stitch.

Border, 17th century

A work made of earthenware with three-color (sancai) lead glazes.

Horse, Tang dynasty, (A.D. 618–907), 1st half of 8th century

A work made of hanging scroll; ink and colors on silk.

Landscape with Daoist Immortals Playing Weiqi, Ming dynasty (1368–1644), 15th-16th century

Dai Jin

A work.

Kesa, Edo period (1615–1868), late 18th century

A work made of linen, plain weave; embroidered with linen, wool, silk, horsehair, hemp, and gilt-metal-strip-wrapped silk in open buttonhole filling and stem stitches; laid work and couching.

Das andere Land (The Other Land), 1986/87

Lissy Funk

A work made of silk, satin weave self-patterned by ground weft floats; block or screen printed.

Panel, Before 1913

Raoul Dufy

Two men on horseback clash in battle, another man crouches with knife.

The Combat of the Giaour and Hassan, 1826

Eugène Delacroix

A work made of steel, iron, gilding, oak, and silk textile (velvet).

Glaive for the Bodyguard of Emperor Maximilian II, 1564

Jörg Hopfer

A work made of silk, plain weave; screen printed.

Panel (Dress Fabric), 1968 (designed 1924/25)

Sonia Delaunay-Terk

A work made of silk, twill weave; screen printed.

Scarf, 1971

Valerio Adami

A work made of yellow satin embroidered with silk and metal thread; satin and couched stitches.

Shoe (Single), 1770s

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