Results for Silk%20Road%20Chicago

A work made of silk, slit tapestry weave; painted details; upper sleeves: silk, satin weave self-patterned by areas of twill weave; lower sleeves: silk, twill weave; impressed ribs.

Emperor's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1825/50

Manchu

A work made of silk, satin weave; block printed.

Flowers, Oranges, and Cherries, c. 1911

Raoul Dufy

A work made of silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 2:1 twill weave with gilt-metal wire supplementary patterning wefts bound by secondary binding warps in twill interlacings and supplementary patterning and brocading wefts forming weft loop pilesilk and gilt- and silvered-metal-strip-wrapped silk, twill weave with gilt-metal wire supplementary patterning wefts bound by secondary binding warps in twill interlacings and supplementary patterning and brocading wefts forming weft loop pilesilk and gilt- and silvered-metal-strip-wrapped silk, twill weave with gilt-metal wire supplementary patterning wefts bound by secondary binding warps in twill interlacings and supplementary patterning and brocading wefts forming weft loop pile.

Chasuble (Back Only), 16th century

Bust of Saïd Abdullah of the Darfour People, 1848

Charles Henri Joseph Cordier

A work made of silk and gold gilt strip wound around silk fiber core, warp-faced plain weave with extended ground wefts loop fringe.

"Renaissance" Fringe, 16th century

Fragment (Border), 18th century

A work made of silk and wool, plain weave and plain weave double cloth (areas stuffed) with areas of gauze interlacing and knotting technique known as macramé (bead, flat, and half knots); crochet and cut main warp fringe.

Hanging, 1960s

Claire Zeisler

Seventeenth-Century Interior, 1877

Charles Gifford Dyer

A work made of silk, satin weave, with needlework.

Woman's Shoes, Qing dynasty (1644–1911), 19th century

The Music Lesson, 1671

Jacob Ochtervelt

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in chain, crossed back, cross, running (pattern darning), satin and stem stitches; joined by silk, needle-made inserts and linen, bobbin straight lace tape; four loom widths joined.

Bedcover, 17th century

A work made of silk and mohair, pusher machine lace.

Jacket (Separated Bodice and Sleeves), 1855/65

A work made of linen, plain weave; pulled thread work embroidered with silk in back, double running, and two-sided italian cross stitch; edged with silk and linen fringe of oblique twill interlacing with two-color supplementary weft uncut fringe.

Border, 1601/25

A work made of silk (crepe fiber warp), plain weave; screen printed.

Scarf, 1975

Bram van Velde

The Adoration of the Magi, c. 1495

Raffaello Botticini

A work made of handscroll; ink and colors on silk.

United by Music 合樂圖, Ming dynasty (1368–1644), 15th/16th century

Zhou Wenju

Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

A work made of silk, warp-float faced 7:1 satin weave; appliquéd with silk, warp-float faced 7:1 satin and plain weaves; painted; embroidered with silk, silk 2:2 twill oblique interlaced tapes, gilt- and silvered-metal-strip-wrapped silk, and gilt- and silvered-metal strips, coils, wires and paillettes in satin, single satin, raised stem and a variety of buttonhole stitches; laid work and couching; feathers; glass beads and seed pearls.

Picture Depicting the Queen of Sheba before King Solomon, 1601/50

A work made of wooden box; covered with linen, plain weave; embroidered with silk floss in back, running, and satin stitches; laid work and couching; edged with silvered-metal-strip-wrapped silk and silvered-metal strips, plain weave; lined with silk, plain weave and plain weave with supplementary pile warps forming cut solid velvet; silver hardware; two glass bottles inside.

Writing Box (Needlework), 17th century

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in fishbone, overcast, and running stitches.

Emperor's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1825/50

Flowers, Oranges, and Cherries, c. 1911

Chasuble (Back Only), 16th century

Bust of Saïd Abdullah of the Darfour People, 1848

"Renaissance" Fringe, 16th century

Fragment (Border), 18th century

Hanging, 1960s

Seventeenth-Century Interior, 1877

Woman's Shoes, Qing dynasty (1644–1911), 19th century

The Music Lesson, 1671

Bedcover, 17th century

Jacket (Separated Bodice and Sleeves), 1855/65

Border, 1601/25

Scarf, 1975

The Adoration of the Magi, c. 1495

United by Music 合樂圖, Ming dynasty (1368–1644), 15th/16th century

Furisode, late Edo period (1789–1868), 1801/1868

Picture Depicting the Queen of Sheba before King Solomon, 1601/50

Writing Box (Needlework), 17th century

Cover (possibly Turban Cover), 18th century

Emperor's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1825/50

Flowers, Oranges, and Cherries, c. 1911

Chasuble (Back Only), 16th century

Bust of Saïd Abdullah of the Darfour People, 1848

"Renaissance" Fringe, 16th century

Fragment (Border), 18th century

Hanging, 1960s

Seventeenth-Century Interior, 1877

Woman's Shoes, Qing dynasty (1644–1911), 19th century

The Music Lesson, 1671

Bedcover, 17th century

Jacket (Separated Bodice and Sleeves), 1855/65

Border, 1601/25

Scarf, 1975

The Adoration of the Magi, c. 1495

United by Music 合樂圖, Ming dynasty (1368–1644), 15th/16th century

Furisode, late Edo period (1789–1868), 1801/1868

Picture Depicting the Queen of Sheba before King Solomon, 1601/50

Writing Box (Needlework), 17th century

Cover (possibly Turban Cover), 18th century