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A work made of silk, twill weave with supplementary patterning wefts bound in twill interlacings; attached side borders; applied knotted fringe; woven on a loom with a jacquard attachment.

Shawl, 1860s

Clabburn, Sons and Crisp

A work made of silk, plain weave with discontinuous wefts; painted details.

Woman's Semiformal Shoe Tops (Uncut), 1900/10, Qing dynasty (1644–1911)

Manchu

A work made of silk, warp-float faced 4:1 satin weave with three-color supplementary pile warp forming cut, voided velvet.

Panel, 15th century

A work made of cotton, plain weave; embroidered with silk in back, chain, cretan, closed herringbone, open chain, overcast, roumanian, and satin stitches.

Border (For a Skirt), 18th century

A work made of silk, plain weave; cut and drawn threadwork embroidered with silk in weaving stitching filling; attached silk edge cord and corner tassels of silk, wrapped; wrapping threads embroidered in knotted buttonhole stitches; cut fringe.

Cover for Ceremonial Betel Stand (tutuik or saputangan siriah), Early 20th century

A work made of patterned side: silk, warp-float faced 4:1 satin weave (shusu); embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped silk in chinese knot, satin, single satin, surface satin, stem and straight stitches; paper-strip wrapped cotton padded satin stitches; laidwork and couching; painted india ink (sumi) details lined (re-lined) with silk, plain weave with creped wefts (chirimen); interlined with cotton; plain weave; padded with waste silk sewn with padded lining extending beyond front at center on all four side (yatsuzuma); silk, running "controlling" stitches along edges.

Fukusa (Gift Cover), late Edo period (1789–1868), early 19th century

A work made of silk, plain weave; screen printed.

Samtente (Velvet Scoter) (Dress or Furnishing Fabric), 1910/11

Lotte Frömel-Fochler

A work made of linen; embroidered with wool and silk.

Sampler, 19th century

A work made of hanging scroll; ink and color on silk.

Grapevines, n.d.

Sakai Oho

A work made of book with nine color screenprints on white wove paper, in box.

A Book of Silk Screen Prints: Multiple Panel Paintings 1973-1976, 1992

Robert Mangold

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; trimmed with cords of gilt-metal-strip-wrapped silk couched with silk; sleeves: silk, warp-float faced 7:1 satin weave self-patterned by areas of plain weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, 4:1 satin damask weave; cuffs lined with silk, 4:1 satin weave; metal buttons.

Empress' Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1790-1820

Manchu

A work made of silk, warp-float faced 4:1 satin weave with three and four-color supplementary pile warps forming cut voided velvet; edged with woven tape; lined with silk, plain weave.

Chasuble, 1501/25

A work made of silk, satin weave; underlaid with pieced cotton, plain weaves; some printed; covered with paper; embroidered with wild silk and silk, silk-wrapped cotton, gold-leaf-over-lacquered-paper strip and gold-leaf-over-lacquered-paper-strip-wrapped cotton and silk in single satin, satin, stem, and paper padded satin and stem stitches; laid work, couching and padded couching; painted details.

Panel, 1894, Meiji period (1868–1912)

A work made of cotton, silk, and silver-leaf-over-lacquered-paper-strip-wrapped bast fiber (probably ramie), plain weave with supplementary patterning and brocading wefts, main warp fringe.

Ceremonial Hanging (palepai), c. 1900

Paminggir

Tan jade frame with ruby, diamond, emerald flower designs.

Mirror Frame with Tree of Life Motif, Mughal dynasty (1526-1857), 17th/18th century

A work made of patterned side: silk, plain weave; hand painted. lined with silk, plain weave; possibly dyed with safflower (benibana); sewn with front and lining matched in size (tachikiri awase); silk, running "controlling" stitches along all edges; corners: silk-wrapped cotton and gold-leaf-over-lacquered-paper-strip wrapped cotton, knotted, replied fringe tassels.

Fukusa (Gift Cover), Mid–Meiji period (1868–1912), c. 1895

A work made of silk, 4:1 satin damask weave; tie-dyed, stenciled, and resist-dyed and painted with gold paint; embroidered with silk, gold- and silver-leaf-over-lacquered-paper-strip-wrapped-cotton and gold-leaf-over-lacquered-paper-strips in satin, cotton-padded satin, surface satin, and stem stitches; laidwork, couching and chinese knots; lined with silk, plain weave and silk, satin damask weave.

Uchikake, Shôwa period (1926–1989), c. 1935

A work made of linen, plain weave; embroidered with silk floss in running stitches, pattern darning; main warp fringe.

Cover, 17th century

A work made of silk and cotton, two-faced, two-color complementary warp weave of warp-float faced twill weave with areas of complementary warp-floats and of warp-float faced twill weave with areas of twill weave, both with stripes of two color complementary warp weave; woven on a loom with jacquard attachment.

Border or Ribbon, c. 1830

A work made of silk, satin weave self-patterned by ground weft floats; embroidered with gilt- and silvered-metal-strip-wrapped hemp in couching and padded couching; metal spangles; edged with woven tape.

Dalmatic, 1675/1725

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