Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of linen, plain weave; underlaid with linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in satin, padded satin, and split stitches; couching.

Fragment from an Orphrey Band Showing St. Barbara and St. James, 1350/1400

A work made of silk and mohair, pusher machine lace.

Half Shawl, 1860s

A work made of silk, satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in chinese knot, eyelet, feather, satin, single satin, split and stem stitches; laidwork and couching; underlined with linen, plain weave; lined with cotton plain weave; edged with silk plain weave paired warp.

Coverlet, Ming dynasty (1368–1644)/ Qing dynasty (1644–1911), Mid–17th century

A work made of silk, plain weave; screen printed.

Fragment, 1903/32

Mathilde Flögl

A work made of silk, plain weave with creped wefts (chirimen); stenciled and resist dyed (yûzenzome: ita-age, kata itome, shigokizome and suri yûzenzome, shigokizome).

Furoshiki (Wrapping Cloth), early Shôwa period (1926–1989), 1926/35

A work made of silk, bands of bunch, spider, and square netting; embroidered in cloth and overcast stitches; cotton cords with silk cut tassels.

Pair of Mittens, c. 1850

A work made of cotton and silk, plain weave with brocading wefts.

Blouse (Huipil), 1930/39

Maya

A work made of cotton, silk, and gilt-metal-strip-wrapped cotton; in bands of plain weave, plain weave with supplementary patterning wefts and slit and dovetailed tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton and gilt-metal strip, plain weave with supplementary wefts; underlaid with tape of cotton, plain weave with extended paired weft and silvered-metal coil fringe.

Ceremonial Waist Sash (ikak pinggang), 19th century

Minangkabau

A work made of silk, bands of satin weave and bands of satin weave with supplementary patterning wefts bound in satin interlacings; fringe.

Ceremonial Shawl (Kata), Ming dynasty (1368–1644), 15th/16th century

A work made of linen, silk and wood, slit tapestry weave with wrapped, cut fringe; embellished with feathers; silk and linen knotted fringes.

Underwater Wind, 1965

Lenore Tawney

A work made of silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave.

Man's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), c. 1780s-1790s

Manchu

A work made of silk, warp-float faced 2:1 's' twill weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gilt- and silvered-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeves: silk, weft-float faced 1:5 and warp-float faced 2:1 twill damask weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave; metal buttons.

Empress' Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1840-60

Manchu

A work made of silk, satin weave with supplementary pile warps forming cut and uncut voided velvet.

Fragment, 16th century

A work made of a: silk and cotton, plain, twill, and satin weaves, some with patterning warps, some with patterning and brocading wefts, some self-patterned, and some with cut solid velvet; some warp painted (chiné); pieced over paper b: silk, plain and satin weaves, some with self-patterning; some warp painted (chine); pieced.

Fragments from Bedcover (Mosaic or Honeycomb Quilt), 1876

A work made of silk, satin weave with twill interlacings of brocading and some self-patterning ground wefts and plain interlacings of secondary binding warps and some self-patterning ground wefts.

Panel, c. 1735

A work made of cellulose film, silk, acetate, metal foil laminated in cellulose acetate film, polyester film, and synthetic film, plain weave.

Sample (Handbag Material), 1954

Dorothy Liebes

A work made of woven in one piece (hikikaeshi); mon side: silk, plain weave; resist dyed and stenciled (yûzenzome: hikizome); patterned side: silk, plain weave; resist dyed and stenciled (yûzenzome: utsushinori yûzenzome, bokashizome and hikizome); interlined with cotton, plain weave; silk, running "controlling" stitches along all edges; corner: silk, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), 1912/26, Taishô period (1912–1926)

A work made of silk, 4:1 satin damask weave, rinzu; yuzen dyed, painted, and stenciled; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in satin and single satin stitches; laid work, couching, and chinese knots; lined with silk, plain weave; dyed with beni, safflower.

Furisode, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of silk and animal-substrate-wrapped linen, warp-float faced 5:1 satin weave with weft-float faced 1:3 's' twill interlacings of secondary binding warps and supplementary patterning wefts.

Fragment, 1350/1400

A work made of silk, bobbin straight lace (in bands).

Cape Collar, 1850/75

<<<45464748 >>>