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A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; lined with silk, plain weave.

Buzi (Court Rank Badge), 1825/50, Qing dynasty (1644–1911)

Manchu

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; cuffs trimmed with gilt-metal-strip-wrapped linen couched with silk; sleeves, neck trim, and cuff edging: silk, warp-float faced 7:1 satin weave; neck edging, cuff trim, and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing with triple elements; lined with silk, 4:1 satin damask weave; cuffs lined with silk, warp-float faced 7:1 satin weave; metal buttons.

Man's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1750/75

Manchu

Cover of Album of Paintings and Calligraphy by Famous Masters in Fan Form

Cover of Album of Paintings and Calligraphy by Famous Masters in Fan Form, Qing dynasty (1644–1911), dated 1882–1890

Pu Hua

A work made of linen, plain weave; embroidered with silk floss in flame stitch.

Fragment, 17th century

A work made of wool, cotton, and silk, twill weaves and plain weave cut solid velvet, some stamped; pieced; embroidered with silk in back, single back, buttonhole, chain, detached chain, feather, double feather, herringbone, satin, single satin, and stem stitches; backed stitch couching; edged with cotton, plain weave; backed with cotton, satin weave; sewn with cotton thread.

Bedcover Entitled "Genealogy", 1896

Catharine L. Clark

A work made of linen, plain weave; embroidered with silk and linen.

Sampler, 1651

Mary Bidgood

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts forming weft loops in areas and with supplementary pile warps forming cut voided velvet.

Fragment, 1501/50

A work made of silk, warp-faced plain weave; warp-dyed (ikat).

Wall Hanging Composed of Five Panels, 1850/75

A work made of silk tapestry (kesi).

Wrathful Form of the Goddess Saraswati (Magzor Gyalmo) or Palden Llamo, 20th century

A work made of silk, plain weave; applied feathers; card(?) structure; lining: cotton, knit.

KFB - 105, 1992

Kazimiera Frymark-Blaszczyk

A work made of wool and silk, weft-float faced 1:3 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; main warp fringe; woven on loom with jacquard attachment.

Long Shawl, 1825/75

A work made of wool, silk and silvered-metal-strip wrapped silk, slit and double interlocking tapestry weave with some 2:2 plain interlacing of gilt-metal wefts.

September and October From The Twelve Months of the Year (Fragment), After 1675

Geraert Peemans

A work made of silk and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "persian" (sehna) knots.

Prayer Carpet, c. 1894

A work made of silk, plain, gauze and satin weaves with brocaded patterns, and damask weave; total of swatches: 680.

Sample Book of Ribbon Swatches, 1850/60

A work made of top: silk and cotton, warp-float faced 4:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:4 's' twill interlacings; bottom: silk, warp-float faced 4:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:4 's' twill interlacings; three panels joined; lined with silk and cotton, 7:1 satin damask weave.

Valance, Qing dynasty (1644–1911), 1650/1700

A work made of cotton and silk, plain weave with patterning and brocading wefts and bands of warp chevron twill weave; joined with cotton and silk in double running stitches.

Blouse (Huipil), 1900/50

Maya

Sampler

Sampler, 1811

Mary Ann Doe

A work made of rayon and silk, two-color complementary weft plain weave self-patterned by areas of main warp and ground wefts floats; woven on loom with jacquard attachment.

Panel (Depicting Mao Tse Tung), Republic Period (1912–1949)/ People's Republic of China (1949–present), Mid–20th century

A work made of hanging scroll; ink, colors and gold pigment on silk.

Beauty at the Mimeguri Shrine, Edo period, Bunka era c. 1804/18

Utagawa Toyohiro

A work made of linen, plain weave; embroidered with silk floss and cotton threads in buttonhole stitches; laidwork and couching.

Sample, 1987

Lissy Funk

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