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  • Art Institute Chicago
  • Harvard art museum
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A work made of inkjet print.

Deep into the Bushes...(SAIC Portfolio Swap - edition of 45), 2016

Derrick Woods-Morrow

Sculpture of a naked light-skinned woman with red nail polish and dark hair sitting in a bathtub of soapy water. She holds her breasts with both hands, her mouth open in a look of surprise. The rest of her face and head is not present in the work. A bright blue snorkel protrudes from the water between her legs.

Woman in Tub, 1988

Jeff Koons

Painting of a woman and an older white man holding a pitchfork, both seen from the waist up. They stand side by side with stern expressions, in front of a white house with a peaked roof.

American Gothic, 1930

Grant Wood

A graphic, grotesque painting of a balding, bug-eyed man with white hair and decaying flesh and open boils in dominant shades of gray and magenta, his clothing tattered and torn. Behind him, a crumbling home is suggested through objects and voids of space rendered in swirls of prismatic colors like those reflected by an oil slick: dark purples, greens, blues.

Picture of Dorian Gray, 1943–44

Ivan Albright

Woodcut of a man's face in profile, his gaze cast toward the lower-right corner of the print, which is darkened.

Holy Emissary, from Yiddish Motifs, 1926

Todros Geller

Sketch of a female adult with shoulder-length hair holding her left hand up to her right cheek, eyes closed.

Head of Young Woman, Resting on Hand, 1928

John Bradley Storrs

Woodcut print of a street scene with storefronts and awnings and a crowd of people gathered in front.

Maxwell Street, Chicago, from Yiddish Motifs, 1926

Todros Geller

Portrait of an older woman holding a mirror and makeup pad, sitting in a dark dressing room in a pink slip and a blue and red skirt. Her flesh is mottled and pasty white, its contours in dark shadows that make it appear almost bruised. She gazes to the left forlornly.

Into the World There Came a Soul Called Ida, 1929–30

Ivan Albright

A work made of oil on canvas.

Hogs Killing a Snake, c. 1930

John Steuart Curry

A work made of gouache on board.

Above the Earth, 1953

Mark Tobey

A work.

Pentech Sparklers, 1990

Natalie Bookchin

Scene in a diner, viewed through wrap-around glass windows, at night on an empty urban street. A light-skinned man and woman, he in a suit and she in a red dress, sit together at a triangular wood bar, eyes downcast. At left sits another man, his back to the viewer. Behind the counter is a light-skinned man in a white uniform. The interior lights cast a yellow glow that spills onto the street in pale green. Above the diner a sign reads, "Phillies."

Nighthawks, 1942

Edward Hopper

Painting of a bone-white cow's skull directly centered in a vertical canvas, adorned with gray-white roses. The background behind the skull is similarly pale and appears to depict stone, a deep black gap between sheets of stone bisecting the painting from top to bottom.

Cow's Skull with Calico Roses, 1931

Georgia O'Keeffe

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

A work made of watercolor with touches of gouache, over graphite, on ivory wove paper.

Interior, 1925

Edward Hopper

Shallow and tall painting tightly focused on a black paneled door, a wreath of dying flowers hanging on it and a hand reaching to the doorknob from left.

That Which I Should Have Done I Did Not Do (The Door), 1931–41

Ivan Albright

A work made of steel, paint, and plastic.

Toy, 1961

John Angus Chamberlain

A work made of oil on canvas.

Spring Rains, c. 1924

Victor Higgins

A work made of woodcut in black ink on japanese wood veneer paper, laid down on ivory laid paper with letterpress in black ink.

Horse Radish Grinder, from Yiddish Motifs, 1926

Todros Geller

A work made of watercolor, over graphite, on ivory wove paper.

Gloucester Mansions, 1923

Edward Hopper

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