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A work made of etching and drypoint on ivory wove paper.

The Three Sisters, c. 1868

Francis Seymour Haden

A work made of oil on panel.

Travellers Arriving at an Inn, 1639–40

Pieter De Neyn

A work made of silk, warp-float faced 4:1 satin weave with supplementary pile warps forming cut voided velvet.

Chasuble (Fron only), 15th century

A work made of book with mixed media relief sculpture on cover with five lithographs in color, twelve lithographs in black, four etchings in black, one etching in color, and two woodcuts in black on ivory wove paper.

Le Surréalisme en 1947, Paris: Pierre à Feu; Maeght, 1947

André Breton

A work made of soft pastel on paper.

Sleeping Girl, c. 1750

Conte Pietro Antonio Rotari

Page from an Unnamed Album with Shijô-School Surimono

Page from an Unnamed Album with Shijô-School Surimono, 1860

Musei

A work made of etching and drypoint on ivory laid paper.

The Large Thatched Cottages, 1881

Félix Hilaire Buhot

A work made of etching, drypoint, roulette and aquatint on ivory laid paper.

Westminster Clock Tower, n.d.

Félix Hilaire Buhot

A work made of silk, gilt-and-silvered-metal strips, and gilt-and-silvered-metal-strip-wrapped silk, plain weave with supplementary patterning wefts and supplementary brocading wefts; two loom widths joined.

Panel, 1725/75

Style of Jean Baptiste Pillement

A work made of brass with engraved decoration.

Oil Lamp (Cheragh), Ilkhanid dynasty (1256–1353), Early 13th century

A work made of porcelain painted in underglaze blue.

Birdseed Cup with a scene from the Story of the Western Wing, Qing dynasty (1644–1911)

A work made of lithograph in black on ivory wove paper.

Two Good Neighbors, plate 25 from Locataires Et Propriétaires, 1847

Honoré-Victorin Daumier

A work made of pasteboard, painted with opaque watercolor under lacquer.

Pen Box with Hunting Scenes, Qajar dynasty (1796–1925), 19th century

Islamic

On the Isle of Bali

On the Isle of Bali, c. 1913

Maurice Sterne

A work made of silk, gilt-metal strips, gilt-metal-strip-wrapped silk and silk bouclé yarns, plain weave with secondary binding warps and supplementary brocading wefts bound in twill interlacing; edged with silk and gilt-metal-strip-wrapped silk, woven tape.

Dalmatic, 1775/1800

A work made of book with slip case; two photogravures.

Walt Whitman in Camden, 1938

Christopher Morley

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary binding warps tying supplementary brocading wefts and self-patterning ground wefts in 3:1 and 2:2 twill interlacings.

Panel (Dress Fabric), c. 1711

A work made of color woodblock print; oban.

Chikubu Island in Omi Province, No. 30 on the Saikoku Pilgrimage Route (Saikoku junrei sanjuban Omi Chikubujima), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Utagawa Kunisada I (Toyokuni III)

A work made of linen, plain weave; cut and drawn work; embroidered with cotton in antique hem stitches; edged with linen, bobbin straight lace.

Cover, Second half of 18th/early 19th century

A work made of linen, bobbin part lace (continuous clothwork tapes).

Two Borders, c. 1700

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