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A work made of drypoint, with plate tone, on ivory laid paper.

Little Girl in Armchair, n.d.

Paul-César Helleu

A work made of oil on panel.

Colonnade and Gardens of the Medici Palace, After 1870

Style of Hubert Robert

A work made of silver.

Denarius (Coin) Portraying the Emperor Maximinus, 235 (March)-236 (January)

Ancient Roman

A work made of earthenware with pierced and incised decoration.

Water Filter with Calligraphic Design, Fatimid dynasty (969–1171), 11th/12th century

Islamic

A work made of linen, bobbin straight lace.

Five Borders, 1620/40

A work made of lithograph in black on ivory wove paper.

Past Midnight, plate 19 from Locataires et Propriétaires, 1847

Honoré-Victorin Daumier

A work made of silver.

Denarius (Coin) Portraying Didius Julianus, 193 (28 March to early June)

Ancient Roman

A work made of silver.

Denarius (Coin) Portraying Emperor Elagabalus, 218-222

Ancient Roman

A work made of linen, plain weave, front: embroidered in buttonhole, double hem, hem, overcast, and satin stitches; couching and eyelet holes; cut and drawn work with needle lace filling stitches; sides (replacement): 3 strips of cut and drawn work embroidered in buttonhole, coral, hem, and needle lace filling stitches; back: center panel plain weave with cut and drawn work embroidered in double hem, hem and needle lace filling stitches; center panel is a symmetrical scrolling floral motif; inner borders combine geometric and scrolling floral patterns outer borders geometric patterning.

Pillow Cover, c. 1600

A work made of watercolor and gouache on cream wove paper.

Valley of the Loire (Sunrise), 1924

Arthur B. Davies

A work made of linen and wool, tapestry weave.

Fragment, 1st-5th century

Ancient Egyptian

A work made of etching, drypoint and plate tone on cream laid paper.

Portrait of a Woman, n.d.

Paul-César Helleu

A work made of lithograph in black on white wove paper.

"- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois, 1849

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A True Art Lover, plate 66 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 2:1 twill weave with gilt-metal wire supplementary patterning wefts bound by secondary binding warps in twill interlacings and supplementary patterning and brocading wefts forming weft loop pilesilk and gilt- and silvered-metal-strip-wrapped silk, twill weave with gilt-metal wire supplementary patterning wefts bound by secondary binding warps in twill interlacings and supplementary patterning and brocading wefts forming weft loop pilesilk and gilt- and silvered-metal-strip-wrapped silk, twill weave with gilt-metal wire supplementary patterning wefts bound by secondary binding warps in twill interlacings and supplementary patterning and brocading wefts forming weft loop pile.

Chasuble (Back Only), 16th century

A work made of wool, tapestry weave; embroidered.

Fragment, 6th-8th century

A work made of book with mixed media relief sculpture on cover with five lithographs in color, twelve lithographs in black, four etchings in black, one etching in color, and two woodcuts in black on ivory wove paper.

Le Surréalisme en 1947, Paris: Pierre à Feu; Maeght, 1947

André Breton

A work made of linen, tapestry weave.

Tiraz Fragment, Fatimid period (969-1171), 11th century

A work made of linen and wool, slit tapestry weave.

Fragment, 5th-6th century

A work made of silk and gilt-animal-substrate-wrapped silk, weft-faced three-color complementary weft plain weave with inner warps.

Fragment From the Chasuble of San Valero, 13th century

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