Results for Ryerson%20and%20Burnham%20Libraries%20Special%20Collections

Ruined Archway, 1775/93

Francesco Guardi

Cigar Making in Seville, 1899

Ricard Canals y Llambí

Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c. 1520

Bartel Bruyn, the elder

Tetradrachm (Coin) Portraying King Mithridates VI, 90-89 BCE, reign of Mithradates VI of Pontus and Bithynia (120–63 BCE)

Ancient Greek

Christ Presented to the People, c. 1480

North Netherlandish

Tetradrachm (Coin) Depicting the Goddess Persephone, 310-307 BCE

Ancient Greek

Earthenware white plate with scalloped rim decorated with a pink rose in the center and three sets of flowers at the band.

Plate, c. 1770

Niderviller Pottery and Porcelain Factory

A work made of transfer lithograph on cream card.

Seated Nude and Child, 1920

Arthur B. Davies

A work made of charcoal with stumping, heightened with white and yellow pastel with stumping, on blue laid paper ruled with charcoal.

Dancer Bending Forward, 1874/79

Hilaire Germain Edgar Degas

A work made of silk, 4:1 satin damask weave.

Panel, 16th/17th century

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed).

The Return, Tynemouth (recto) Study (verso), 1881

Winslow Homer

A work made of color aquatint with drypoint from three plates, with brush and gold paint, on ivory laid paper.

Afternoon Tea Party, 1890–91

Mary Cassatt

A work made of color drypoint, aquatint and softground etching from two plates, printed à la poupée, on ivory laid paper.

The Bath, 1890–91

Mary Cassatt

The Crucifixion, 1401/04

Taddeo di Bartolo

Saint Francis before the Pope (The Approval of the Franciscan Rule), 1390/1400

Spinello Aretino

A work made of color aquatint and drypoint from two plates on ivory laid paper.

After the Bath

Mary Cassatt

Choral Sea, 1915

Arthur B. Davies

A work made of silk and gilt-metal-strip-wrapped silk, satin weave with supplementary brocading wefts bound by main warps in a twill interlacing and supplementary pile warps forming cut, voided velvet.

Fragment (From a Chasuble), 1475/1500

A work made of transfer lithograph on cream wove paper.

Conversation, 1919–20

Arthur B. Davies

A work made of silk, satin weave, cut solid velvet.

Ruined Archway, 1775/93

Cigar Making in Seville, 1899

Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c. 1520

Tetradrachm (Coin) Portraying King Mithridates VI, 90-89 BCE, reign of Mithradates VI of Pontus and Bithynia (120–63 BCE)

Christ Presented to the People, c. 1480

Tetradrachm (Coin) Depicting the Goddess Persephone, 310-307 BCE

Plate, c. 1770

Seated Nude and Child, 1920

Dancer Bending Forward, 1874/79

Panel, 16th/17th century

The Return, Tynemouth (recto) Study (verso), 1881

Afternoon Tea Party, 1890–91

The Bath, 1890–91

The Crucifixion, 1401/04

Saint Francis before the Pope (The Approval of the Franciscan Rule), 1390/1400

After the Bath

Choral Sea, 1915

Fragment (From a Chasuble), 1475/1500

Conversation, 1919–20

Portion of a Chasuble, 1450/1500

Ruined Archway, 1775/93

Cigar Making in Seville, 1899

Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c. 1520

Tetradrachm (Coin) Portraying King Mithridates VI, 90-89 BCE, reign of Mithradates VI of Pontus and Bithynia (120–63 BCE)

Christ Presented to the People, c. 1480

Tetradrachm (Coin) Depicting the Goddess Persephone, 310-307 BCE

Plate, c. 1770

Seated Nude and Child, 1920

Dancer Bending Forward, 1874/79

Panel, 16th/17th century

The Return, Tynemouth (recto) Study (verso), 1881

Afternoon Tea Party, 1890–91

The Bath, 1890–91

The Crucifixion, 1401/04

Saint Francis before the Pope (The Approval of the Franciscan Rule), 1390/1400

After the Bath

Choral Sea, 1915

Fragment (From a Chasuble), 1475/1500

Conversation, 1919–20

Portion of a Chasuble, 1450/1500