Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on panel.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint John the Baptist, c. 1495

French

A work made of watercolor with graphite on cream wove paper, laid down on tan wove paper.

Pistachio Tree at Château Noir, c. 1900

Paul Cezanne

A work made of watercolor, with rewetting and blotting, over graphite, on thick, rough-textured, ivory wove paper.

Sunshine and Shadow, Prout's Neck, 1894

Winslow Homer

Color print of a light-skinned woman sitting in front of a mirror in a red- and white-striped plushy chair, pulling her brown hair into a bun. Her breasts and torso are visible in the reflected image, while a white cloth covers her legs.

The Coiffure, 1890–91

Mary Cassatt

A work made of oil on canvas.

The Harvesters, 1888–89

Léon Augustin Lhermitte

A work made of oil on panel.

Portrait of Louise de Halluin, dame de Cipierre, c. 1555

Corneille de Lyon

A work made of oil on panel.

The Adoration of the Magi, 1515-25

Workshop of Cornelis Engebrechtsz.

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting, and scraping, over traces of graphite, on moderately thick, rough-textured, ivory wove paper.

The End of the Day, Adirondacks, 1890

Winslow Homer

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over resist and traces of graphite, on medium weight, moderately textured, ivory wove paper, laid down on cream wove paper.

Prout's Neck, Breaking Wave, 1887

Winslow Homer

A work made of silver.

Denarius (Coin) Portraying King Philip II, 244-247

Ancient Roman

A work made of watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper.

The Lone Boat, North Woods Club, Adirondacks, 1892

Winslow Homer

A work made of silk, plain weave; underlaid with linen, plain weave; appliquéd with hemp, plain weave; embroidered with silk, gilt-metal-strip-wrapped silk, and linen in bullion, satin, single satin, split, and stem stitches; laid work, couching, and padded couching.

Orphrey Band, 16th century

A work made of gold.

Aureus (Coin) Portraying Emperor Antoninus Pius, 145-161, issued by Antoninus Pius

Ancient Roman

A work made of watercolor, with rewetting and blotting, over traces of graphite, on thick, rough-textured, ivory wove paper (top edge trimmed).

Prout's Neck, Evening, c. 1894

Winslow Homer

A work made of iznik ware, fritware with underglaze painting in blue, turquoise, red, and black on white slip.

Serving Dish (Tabaq) with Vegetal and Fish-Scale Patterns, Ottoman dynasty (1299–1923), 16th century

Islamic

A work made of transfer lithograph on cream card.

Hamadryads, 1919–20

Arthur B. Davies

A work.

Kesa, Edo period (1615–1868), late 18th century

A work made of tempera on panel.

The Flight into Egypt, c. 1485

Bernardino Jacobi Butinone

A work made of painted enamel and gold on copper.

Triptych with The Crucifixion, The Flagellation, and The Entombment, c. 1500

A work made of oil on canvas.

The Maid, c. 1875

François Bonvin

<<<12131415 >>>