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A work made of linen and wool, tapestry weave.

Motif, Roman period (30 B.C.– 641 A.D.), 4th/5th century

Coptic

Dark object on the open sea with white smoke billowing up from it.

Bottle, 2nd-6th century

Ancient Roman

A work made of glass, blown technique.

Amphora (Storage Jar), 1st-2nd century

Ancient Roman

A work made of silver.

Denarius (Coin) Depicting the God Janus, 119 BCE

Ancient Roman

A work made of silver.

Denarius (Coin) Depicting a Female Head, about 48 BCE

Ancient Roman

A work made of silver.

Denarius (Coin) Depicting the Satyr Silenus, 90 BCE

Ancient Roman

A work made of billon.

Antoninianus (Coin) Portraying Emperor Gallienus, 260-268

Ancient Roman

A work made of bronze.

Antoninianus (Coin) Portraying Emperor Marcus Aurelius Valerius Maximianus (Maximian or Maximianus I), about 293

Ancient Roman

A work made of bronze.

Sestertius (Coin) Portraying Emperor Nero, 65

Ancient Roman

A work made of bronze.

As (Coin) Portraying Emperor Hadrian, 119-125

Ancient Roman

A work made of bronze.

Sestertius (Coin) Portraying Emperor Caracalla, 213

Ancient Roman

A work made of bronze.

Follis (Coin) Portraying Emperor Diocletian, 284-305

Ancient Roman

A work made of oil paint on anodized aluminum with six hexagonal round-faced steel bolts.

The Elliott Room: Charter, 1985 [series 1985/87]

Robert Ryman

A work made of oil on panel.

The Wedding of Peleus and Thetis, 1636

Peter Paul Rubens

A work made of glass, blown technique.

Beaker or Goblet, 2nd-3rd century

Ancient Levantine

A work made of lascaux acrylic on epoxy-edged fiberglass with aluminum with four unpainted round steel bolts.

The Elliott Room: Charter II, 1987 [series 1985–87]

Robert Ryman

A work made of faience.

Amulet of a Lion-headed Goddess Holding an Aegis, Late Period–Ptolemaic Period (?) (7th–1st century BCE)

Ancient Egyptian

A work made of wool and linen, slit and dovetailed tapestry weave with eccentric wefts and wrapped outlining wefts.

Border, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/8th century

Coptic

A dark-skinned woman cradles a dark-skinned baby in her arms; the baby looks out, and raises an arm. Their forms are made up of blocky shapes, appearing like a collage, and they are set against a blue, green, and red color-blocked background.

Mother and Child, from Conspiracy, The Artist as Witness, 1971

Romare Howard Bearden

A work made of pen and black ink over graphite, on cream laid paper, laid down on ivory laid paper.

Roman Edifices, n.d.

Unknown artist

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