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A work made of etching in black on ivory laid japanese vellum.

L'Après-Midi d'un Faune: Le Faune IV, plate eighteen from Poesies de Mallarmé, 1932

Henri Matisse

Black background with berry-colored blotches of paint applied all over.

Feuillets d'Album, Rondels, plate 23 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of hanging scroll; ink and color on silk.

Grapevines, n.d.

Sakai Oho

A work made of etching in black on iivory laid japanese vellum.

Feuillets d'Album, Frontispice, plate 22 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of plaster and silver gilt.

Cameo of John J. Francis, 1846–49

Erastus Dow Palmer

A work made of etching in black on off-white wove paper.

L'Après-Midi d'un Faune: Égloue, plate 14 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of etching in black on ivory laid japanese vellum.

Hérodiade, Scène l, plate ten from Poesies de Mallarmé, 1932

Henri Matisse

Marshlands (Paludes)

Marshlands (Paludes), 1921

Noël-François Roger de La Fresnaye

A work made of silver.

Cream Pot, part of Tea and Coffee Service, 1878

Rogers and Smith Company

A work made of pair of six panel screens; ink and gold on paper.

Dragon and Tiger, dated 1835

Kishi Ganku

A work made of etching in black on ivory laid japanese vellum.

Soupir, plate five from Poesies de Mallarmé, 1932

Henri Matisse

A work made of etching in black on ivory laid japanese vellum.

L'Azur, plate nine from Poesies de Mallarmé, 1932

Henri Matisse

A work made of hanging scroll; ink and color on silk.

Courtesan and Kamuro, 1805/10

Teisai Hokuba

A work made of satinwood and brass, with original printed cotton upholstery.

Armchair, c. 1885

Arthur Heygate Mackmurdo

Saint Cecilia

Saint Cecilia, 1790

William Sharp

A work.

Samples, 1901/50

Scalamandré

A work made of etching in black on ivory laid japanese vellum.

Le Sonneur, plate eight from Poesies de Mallarmé, 1932

Henri Matisse

Rectangular carving, exceedingly detailed, of two colorful phoenixes with trailing tailfeathers and spread wings amid blossoms and wooden branches.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

Carved wood flowers and leaves, painted in vibrant greens and blues, overlap curving tree branches. Among them are are two birds, phoenixes.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

A work made of color lithograph on white wove paper.

Art 1981 Chicago Print, 1981

Robert Motherwell

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