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A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of silver.

Pfennig (Coin) of Arnold II von Isenburg, Archbishop of Trier, 12th/13th centuries

German

A work made of porcelain with polychrome enamel decoration.

Covered Circular Box with Floral Scrolls, Qing dynasty (1644–1911), 19th century

A work made of engraving on paper.

Head of a Young Man, n.d.

Otto Felsing

A work made of etching in black on ivory laid japanese vellum.

Hérodiade, Scène lll, plate twelve from Poesies de Mallarmé, 1932

Henri Matisse

A work made of etching in black on ivory laid japanese vellum.

Plusieurs Sonnets: "A la nue accablante...", plate 29 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of mahogany veneer and tulip poplar.

Dressing Mirror, c. 1820

Duncan Phyfe

A work made of etching in black on ivory laid japanese vellum.

Plusieurs Sonnets: "Quelle soie...", plate 28 from Poesies de Mallarmé, 1932

Henri Matisse

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