Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Homage to Rimbaud (Hommage à Rimbaud)

Homage to Rimbaud (Hommage à Rimbaud), 1945

Roger Vieillard

A work made of marble.

Pocahontas, 1868

Joseph Mozier

A work made of etching with engraving on ivory laid paper.

Susanna and the Elders, 1590/95

Annibale Carracci

A work made of lithograph on newsprint.

The Supply Exceeds the Demand, from Life, n.d.

William Allen Rogers

A work made of silver.

Sugar Basin, part of Tea and Coffee Set, 1878

Rogers and Smith Company

A work made of bronze.

The Boy, 1900–2

Elihu Vedder

A work made of etching, with scraping and engraving, on copper in black on ivory laid paper.

Minotauromachia, March 23–May 3, 1935

Pablo Picasso

A work made of engraving in black on buff laid paper.

Saint George and the Dragon, 1542

Enea Vico

A work made of chromogenic print.

Rochester, N.Y., 1980

Roger Mertin

A work made of engraving in black on ivory laid paper.

Henriette de Lorraine, n.d.

Cornelis Galle, II

A work made of gold.

Aureus (Coin) Portraying Emperor Diocletian, 294-305, issued by Diocletian

Ancient Roman

A work made of pen and brush and black ink and gray wash, with graphite, on ivory wove paper.

The Bugle and the Drum, 1918

Noël-François Roger de La Fresnaye

A work made of engraving with etching in black ink on ivory laid paper.

Mercury and the Graces, 1589

Agostino Carracci

A work made of etching on ivory laid paper.

The Shepherd, 1644

Paulus Potter

A work made of marble.

Hagar and Ishmael, 1856

Edward Sheffield Bartholomew

A work made of watercolor over traces of graphite on ivory wove paper.

An Artist at His Easel, 1914

John Singer Sargent

A work made of silver with ivory.

Teapot, part of Tea and Coffee Service, 1878

Rogers and Smith Company

A work made of bronze.

Whirlwind, 1896

Jonathan Scott Hartley

A work made of engraving in black on ivory laid paper.

The Last Supper, 1615/1620

Jan Harmensz. Muller

A work made of engraving in black on ivory laid paper.

Angelica and Medoro, c. 1570

Giorgio Ghisi

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