Curator

  • Art Institute Chicago
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A work made of pen and brown ink with red chalk and brush and brown wash, on tan laid paper.

Joshua Commanding the Israelites, n.d.

Circle of Jacopo Zanguidi Bertoja

A work made of lithograph from two stones on white wove paper.

Eleven Part Self-Portrait (Red Pony), 1965

Jim Dine

A work made of tempera on panel.

Saints Augustine and Peter, c. 1350

Workshop of Paolo Veneziano

A work made of red chalk, on buff laid paper.

The Miraculous Pool at Bethesda, n.d.

Andrea Celesti

A work made of charcoal and red chalk, with brown and blue pastel, heightened with white chalk, on tan board.

Three Jerusalemites, 1913

Abel Pann

A work made of charcoal, with traces of red chalk offset, on cream wove paper.

Woman with a Basket, n.d.

Leon Kroll

A work made of pen and brown ink, and brush and brown wash, with pinkish opaque wash, heightened with lead white (partially oxidized), on cream laid paper; verso rubbed with red chalk.

The Judgement of Midas: Apollo and Pan, n.d.

Circle of Jacopo Zanguidi Bertoja

A work made of red chalk on tan wove paper.

Rodin, c. 1906

William Rothenstein

Photograph of a two-story house painted bright red, including the door, boarded windows, and porch posts, with only a small patch of blue above a window. The pitched roof is black. The house is set in the left side of the photograph, empty lots around it.

Color(ed) Theory: Flamin' Red Hots, 2014-15

Amanda Williams

A work made of oil on panel.

Fragment from Christ Carrying the Cross: Saint John the Evangelist, c. 1500

Jean Hey, (the Master of Moulins)

A work made of pen and brown ink and brush and brown wash, with touches of pen and black ink, graphite, and traces of red chalk and brush and red chalk wash, on lunette-shaped tan laid paper, laid down on tan wove card.

Study for The Last Supper, c. 1792

Jean Baptiste Huet

A work made of woodcut in black and red on cream japanese paper.

Mountain Farm, Santa Fe, 1928

Emil Armin

A work made of spotted red sandstone.

Karttikeya, God of War, Holding a Spear, 2nd century

A work made of oil on panel.

Hesitation (Madame Monteaux?), c. 1867

Alfred Stevens

Painting of the Annunciation, dove flying above Mary with angel.

The Annunciation, 1490–95

Jean Hey, (the Master of Moulins)

A work made of lithograph on white wove paper.

Title Page, from No Gas, 1971

Red Grooms

Abstract set of lines in orange and red, on ivory-colored background.

Two Girls, n.d.

Marie Laurencin

A work made of oil on canvas.

Portrait of a Man in a Tricorn Hat, 1767

John Russell

A work made of pen and brown ink and red chalk and brush and brown and gray wash over black chalk, on ivory laid paper, laid down on gray wove card.

The Holy Infant Adoring the Trinity, n.d.

Alonso Cano

A work made of red chalk on buff laid paper, laid down on cream laid paper.

Saint John the Evangelist, after 1627

Domenichino

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