Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of red chalk on tan laid paper.

Standing Cattle, n.d.

Charles François Daubigny

A work made of red chalk on cream laid paper.

Nude, n.d.

Jean Louis Forain

A work made of black conté crayon, with red chalk, graphite and stumping, on cream laid paper.

Egyptian Street Scene, 1842/47

Charles François Eustache

A work made of red chalk on cream laid paper.

Portrait of Lady, n.d.

John Hoppner

A work made of wool and cotton; slit tapestry weave.

Untitled, 1971

Roberto Burle-Marx

A work made of red sandstone.

Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini), 5th/6th century

A work made of oil on panel.

Portrait of Cardinal Zelada, 1773

Anton Raffael Mengs

A work made of brown and blue ballpoint pen, colored pencil, and pastel on cream wove paper.

Red Mtn and Red Cloud Pass Near Continental Reservoy Near Lake City New Mexico, 1967

Joseph Yoakum

A work made of etching and engraving in black, with printing à la poupée in red ink on cream wove paper, laid down on ivory laid paper.

Rebus: Here Lies the Ancient Vendetta, 1863

Charles Meryon

A work made of pen and brown ink, with brush and brown wash, and red chalk, on ivory laid paper, laid down on ivory card.

Standing Soldiers and Kneeling Figures, n.d.

Taddeo Zuccaro

A work made of black and red chalk, with traces of pen and brown ink, on ivory laid paper, laid down on ivory laid paper.

Sketches of Seated Man, Medici Coats of Arms, n.d.

Stefano della Bella

A work made of red chalk on ivory laid paper, laid down on card.

Mythological Subject, n.d.

Jacques Bellange

Sculpture of wooden panels shaped like an abstract chair with a deep narrow base.

Lever #1, 1988/89

Martin Puryear

A work made of pen and brown ink and brush and brown wash, with traces of black chalk and red chalk wash, on ivory laid paper, laid down on ivory laid paper.

Study for Ceres, c. 1556

Giorgio Vasari

A work made of pen and brown ink, and brush and brown and gray washes, with traces of red chalk, over traces of black chalk, on ivory laid paper.

God the Father Supported by Angels in the Clouds, I, c. 1759

Giovanni Domenico Tiepolo

Red/Blue (Untitled), from X + X (Ten Works by Ten Painters)

Red/Blue (Untitled), from X + X (Ten Works by Ten Painters), 1964

Ellsworth Kelly

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), over traces of red chalk, on lunette-shaped tan laid paper, squared in red chalk and pen and brown ink, laid down on ivory laid card.

Adoration of the Christ Child, 1580/1600

Filippo Bellini

A work made of pen and brown ink over graphite and red chalk, on buff laid paper, laid down on tan laid paper.

Kneeling Nun, n.d.

A work made of pen and black ink with brush and gray wash, with traces of red chalk, on tan laid paper, squared in black chalk, laid down on ivory wove card.

Study for Allegory of Faith and Silence, 1500/95

Bartolomeo Cesi

A work made of graphite, over red chalk, on buff laid paper, laid down on ivory laid paper.

Literary Illustration: Man with Sword Confronting Group of Figures Before Building, n.d.

Hubert François Gravelot

<<<37383940 >>>